Segment 1: "Out of Work," Part 1, "To Have and Have Not." First in a series that explores joblessness and homelessness in Portland. Most interviews on location. Segment 2: "Portland High Life." Guest and call-in show "about the world of entertainment in the Portland area." Produced in the studios of Portland Cable Access, 5345 SE Foster Road, Portland, OR 97206.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Two men smile as they stand in front of a tank of gasoline sitting in the bed of a truck. Both men wear the Shell Oil logo on their clothing. A handwritten sign on the bumper of the truck reads, "Avery Loy Shell Service, Portland, Ore." This image was likely taken by staff of the Valley Migrant League's Opportunity News circa 1965 - 1968.

Photograph of a female employee working in the SP&S machine section in Portland, Oregon. She looks down at papers on a table and operates a tabulation machine with her right hand. She is likely auditing SP&S disbursements. Handwritten note on the back of the print reads, "Machine Room SP&S Aud of Disb Office, Portland, Summer 1952."

Photograph of a female employee working in the SP&S machine section in Portland, Oregon. An open box on a table in the foreground is labeled, "Remington Rand Sealed Edge Tabulating Cards." The employee appears to be working with these cards at a machine. There are several Remington Rand machines to the left. Handwritten note on the back of the print reads, "SP&S Machine Section Portland, Summer 1952."

Photograph of a female employee plugging a cord into the side of a machine at the SP&S machine section in Portland, Oregon. There are filing drawers to her right. Handwritten note on the back of the print reads, "SP&S Machine Section Portland, Summer 1952."

A female model smiles as she looks at diamonds worth $50,000 at the M. Jacoby store at 529 SW Broadway. The diamonds were imported by the store from Belgium. The model's name is Billie Adams and she interlaces her fingers and leans her arms on a table as she looks down at the jewels. There is additional jewelry on display behind the Adams (negative 1 of 3).

A woman in a dress stands next to a table in a banquet hall. She looks down at a child sitting on her mother's lap. The child looks back at her. The woman is likely a model in the Lipman Wolfe style show. In the background are additional guests seated at tables. The caption on negative sleeve reads, "Lipman Wolfe style show" (negative 5 of 6).

Konnie G. Worth sits on a chair with her legs crossed, holding up unspooled film from a film reel in her lap. She looks at the camera and smiles. On the ground are several more film reels. Worth hosted "Telerama Theatre" on KGW-TV in Portland, Oregon, where she was also the Director of Women's Programs. This photograph was published in the Oregon Journal on May 19, 1957 (negative 2 of 6).

A woman and child walk amongst tables in a banquet hall. They are likely models in the Lipman Wolfe style show. This negative has a double exposure and much of the left side is obscured. The caption on negative sleeve reads, "Lipman Wolfe style show" (negative 6 of 6).

Two young female models pose to publicize the Portland Home Show. The woman on the left wears a bathing suit and sits on a towel on an elevated platform while the woman on the right leans against the platform. They look at each other and smile. Behind them is a painted scene depicting Mount Hood (negative 2 of 5).

Two models identified, from left to right, as Lynn Allen and Susie Kinser, wearing new fashion items, posing with a carriage. This image was published in the August 5, 1956 issue of the Oregon Journal (negative 4 of 8).

An unidentified model poses next to a chair. She is wearing a dard dress and elbow length white gloves. (negative 2 of 10).

Sharon Frey modeling new fall fashion items posing next to a fence. This image was published in the August 5, 1956 issue of the Oregon Journal (negative 3 of 8).

Two models identified, from left to right, as Marlis Claussen and Jan Steele, wearing new fashion items, posing with a horse. This image was published in the August 5, 1956 issue of the Oregon Journal (negative 2 of 8).

Three models identified, from left to right, as Jane Baumgartner, Marilyn Craghead and Susie Kinser, wearing new fashion items posing next to a wall with windows. This image was published in the August 5, 1956 issue of the Oregon Journal (negative 1 of 8).

Shirley Johnson, a registered nurse at Holladay Park Hospital, stands wearing a nursing uniform. She is holding up a copy of "This Week Magazine" which features a photograph of her taken for her part-time modeling job (negative 4 of 8).

Gay Dawn (LaVerne Beck) seated at a dressing room mirror prior to a burlesque show. She is wearing a beaded sweater and holds a comb in her hand. The caption from the negative sleeve reads, "LaVerne Beck - "Gay Dawn" exotic dancer, who was born in Portland." (negative 4 of 4).

Two models preview new 1955 Jantzen Knitting Mills swimsuits. The models stand with their arms behind their backs, wearing matching striped suits featuring long bottoms (negative 4 of 9).

A model previewing a new 1955 Jantzen Knitting Mills swimsuit, standing with two unidentified suited men. One man shakes a finger at the smiling model, who leans against a wooden post (negative 8 of 9).

A model previewing a new 1955 Jantzen Knitting Mills swimsuit. She holds both hands on her waist as she stands on a runway in front of a seated audience (negative 3 of 9).

"Miss Portland" Marilyn Craghead leaving Portland for the “Miss Oregon” competition in Seaside. She sits on the hood of an automobile waving, as a smiling man stands next to her holding a suitcase. Several multi-story buildings in downtown Portland can be seen in the background (negative 2 of 3).

Freda Jones, of the Maria Easterly Modeling Agency in Portland, demonstrating “how not to dress.” She wears pants and a polka-dotted short sleeve shirt, as she turns partially away from the camera (negative 1 of 5).

Model Dixie Geer, posing on a table top in her "Red Garters" costume. She has one leg raised as she holds a garter with both hands. This photograph was published in Oregon Journal on Saturday, March 13, 1954 (negative 1 of 3).

An unidentified model standing next to an iron pillar and fence, showing new 1954 spring fashion. She wears a two-piece suit dress, holding a purse in one hand, with her other against the pillar (negative 3 of 9).

An unidentified model standing in front of a storefront, showing new 1954 spring fashion. She wears a polka-dotted dress, holding one hand against a window sill and another at her waist (negative 1 of 9).

Model Joyce Montgomery, posing for a class at the Portland Advertising Art School. She wears a strapless bathing suit as she leans back on her arms and looks at the camera. At the other side of the room are several male student, seated behind drawing boards (negative 1 of 4).

A portrait of Miss Oregon, Patti Throop, cover girl for National Flower Week. She wears a sweet heart heart with a tulle bottom, and a bunch of small roses in her hair (negative 1 of 2).