Three-quarters portrait of two unidentified men outdoors. They are facing each other, shaking hands, and smiling. In the background is a system of large industrial tanks and pipes. The number 3290 is written on the negative and is visible in the upper right corner of the image. The unverified note “80-year-old employee” is written on the negative sleeve. See related image Nos. 375A0860, 375A0861, and 375A0863.

Half-length portrait of two unidentified men outdoors. They are facing each other and shaking hands. The man at right also has one hand on the shoulder of the man at left. In the background is a system of large industrial tanks and pipes. The number 3288 is written on the negative and is visible in the upper right corner of the image. The unverified note “80-year-old employee” is written on the negative sleeve. See related image Nos. 375A0860, 375A0862, and 375A0863.

Three-quarters portrait of two unidentified men outdoors. They are facing each other, shaking hands, and smiling. The man on the left is holding a box of Robert Burns cigars. In the background is a system of large industrial tanks and pipes. The number 3289 is written on the negative and is visible in the upper right corner of the image. The unverified note “80-year-old employee” is written on the negative sleeve. See related image Nos. 375A0860, 375A0861, and 375A0863.

A portrait of famed famed beauty, Claudia Windsor, in her King Tower apartment in Portland. She sits in front of a typewriter, holding a cup of tea in one hand. Photographs from this series were published in the Oregon Journal on Sunday, December 9, 1951 (negative 3 of 10).

A portrait of famed famed beauty, Claudia Windsor, in her King Tower apartment in Portland. She sits in front of a typewriter while wearing a floral outfit and holding a letter in one hand. This photograph was published in the Oregon Journal on Sunday, December 9, 1951 (negative 2 of 10).

Photograph of a female employee working in the SP&S machine section in Portland, Oregon. She looks down at papers on a table and operates a tabulation machine with her right hand. She is likely auditing SP&S disbursements. Handwritten note on the back of the print reads, "Machine Room SP&S Aud of Disb Office, Portland, Summer 1952."

Photograph of a female employee working in the SP&S machine section in Portland, Oregon. An open box on a table in the foreground is labeled, "Remington Rand Sealed Edge Tabulating Cards." The employee appears to be working with these cards at a machine. There are several Remington Rand machines to the left. Handwritten note on the back of the print reads, "SP&S Machine Section Portland, Summer 1952."

Photograph of a female employee plugging a cord into the side of a machine at the SP&S machine section in Portland, Oregon. There are filing drawers to her right. Handwritten note on the back of the print reads, "SP&S Machine Section Portland, Summer 1952."

Freda Jones, of the Maria Easterly Modeling Agency in Portland, demonstrating “how not to dress.” She wears pants and a polka-dotted short sleeve shirt, as she turns partially away from the camera (negative 1 of 5).

Gay Dawn (LaVerne Beck) seated at a dressing room mirror prior to a burlesque show. She is wearing a beaded sweater and holds a comb in her hand. The caption from the negative sleeve reads, "LaVerne Beck - "Gay Dawn" exotic dancer, who was born in Portland." (negative 4 of 4).

Models Harriet O'Halloran and Becky Anthony posing next to an unidentified creek near Oceanside. One woman is seated on a rock next to the water, while the other, wearing a stripped print outfit, stands and points. Photographs from this series were published in the Oregon Journal on Sunday, June 18, 1950 (negative 11 of 35).

Models Harriet O'Halloran and Becky Anthony posing for a photograph overlooking a beach and rocks at Oceanside. One women is seated on the ground while the other stands and looks at the camera. This photograph was published in the Oregon Journal on Sunday, June 18, 1950 (negative 8 of 35).

Models Harriet O'Halloran and Becky Anthony walking hand in hand at a beach in Oceanside. Three Arch Rocks can be seen in the distance. Photographs from this series were published in the Oregon Journal on Sunday, June 18, 1950 (negative 23 of 35).

Models Harriet O'Halloran and Becky Anthony jumping through a wave at Oceanside beach. The women are both wearing new bathing suits from Jantzen Knitting Mills. Photographs from this series were published in the Oregon Journal on Sunday, June 18, 1950 (negative 3 of 35).

Models Harriet O'Halloran and Becky Anthony at a walking hand in hand through the water at Oceanside beach. Both women are both wearing new bathing suits from Jantzen Knitting Mills. Photographs from this series were published in the Oregon Journal on Sunday, June 18, 1950 (negative 4 of 35).

Models Models Harriet O'Halloran and Becky Anthony sunbath on a blanket at Oceanside Beach on the Oregon coast. Both women are wearing new Janzten bathing suits. Photographs from this series were published in the Oregon Journal on Sunday, June 18, 1950 (negative 1 of 35).

Models Harriet O'Halloran and Becky Anthony building a sandcastle on a beach in Oceanside. Both women are wearing new bathing suits from Jantzen Knitting Mills. Photographs from this series were published in the Oregon Journal on Sunday, June 18, 1950 (negative 2 of 35).

Two young female models pose to publicize the Portland Home Show. The woman on the left wears a bathing suit and sits on a towel on an elevated platform while the woman on the right leans against the platform. They look at each other and smile. Behind them is a painted scene depicting Mount Hood (negative 2 of 5).

Tape 1, Side 1. Winnie Summers speaks about working in the template shop at Tacoma-Seattle Shipbuilding Corporation during World War II.

Isabel Perez smiles and looks to the left as he works at the Flying A gas station on the corner of Watson and Allen Boulevard in Beaverton, Oregon. Perez works at this gas station, owned by Juan Mares, a former migrant laborer who became a mechanic and now leases and operates this gas station. This image was published in the Valley Migrant League's Opportunity News on December 31, 1965. The article mistakenly identifies this photograph of Isabel Perez as Juan Mares and the paper published a correction in the following issue on January 7, 1966.

Isabel Perez looks up as he stands in front of the pumps at the Flying A gas station on the corner of Watson and Allen Boulevard in Beaverton, Oregon. Perez works at this gas station, owned by Juan Mares, a former migrant laborer who became a mechanic and now leases and operates this gas station. Photographs from this series were published in the Valley Migrant League's Opportunity News on December 31, 1965 and January 7, 1966.

Model Natalie Phillips (left) and Harriett O'Sullivan (right) with Jantzen sales promotion manager Donald Kennedy, at the annual Jantzen sales convention in Portland. Phillips and O’Sullivan are wearing 1948 preview swimsuits. A similar photographed was published in the Oregon Journal on Monday, September 15, 1947 (negative 1 of 2)

A model previewing a new 1955 Jantzen Knitting Mills swimsuit. She holds both hands on her waist as she stands on a runway in front of a seated audience (negative 3 of 9).

Two models preview new 1955 Jantzen Knitting Mills swimsuits. The models stand with their arms behind their backs, wearing matching striped suits featuring long bottoms (negative 4 of 9).

A model previewing a new 1955 Jantzen Knitting Mills swimsuit, standing with two unidentified suited men. One man shakes a finger at the smiling model, who leans against a wooden post (negative 8 of 9).

Two women, modeling new Jantzen Woolen Mills bathing suit styles, on a stage with a group of men in suits. The women sit at the middle of the group with their legs extended. Two lifesavers are hung netted curtains, each reading “S.S. Jantzen” (negative 1 of 6).

Two models showing new Jantzen Woolen Mill bathing suit styles on a stage. A runway, with a rope border, extends from the stage into the audience, while two lifesavers are hung netted curtains, each reading “S.S. Jantzen” (negative 4 of 6).