- SR 9320
Art Bimrose discusses his educational background, and how he became an editorial cartoonist for the Oregonian.
Bimrose, Art, 1912-
Art Bimrose discusses his educational background, and how he became an editorial cartoonist for the Oregonian.
Bimrose, Art, 1912-
This is an interview done in conjunction with a 1989 OHS exhibit of Bimrose's work. In the interview, he discusses his childhood and education, his early art career during the Depression, the process of creating cartoons, the cartoonist's intellectual autonomy, politics and his feelings on war.
Bimrose, Art, 1912-
Monner discusses his career as a photographer for the Oregon Journal and the Oregonian. He discusses how he got his start taking aerial photos for Brubaker. He also talks about mountain climbing, his relationship with the Gypsies in Portland and the American Indians of the Warm Springs Reservation.
Monner, Alfred A., 1908-1998
Audio recording of an Oregon Historical Society event, consisting of a panel discussion moderated by Melody Rose. Gretchen Kafoury, Vera Katz, Norma Paulus, and Betty Roberts discuss the womens' movement in addition to their experiences in the Oregon State legislature in the 1970s and 1980s.
Kafoury, Gretchen Miller
The OHS Maps Collection contains over 25,000 maps that focus on Western exploration and the Oregon Territory. Available types of maps include those of the Oregon Territory, the state, cities and counties, and special subjects such as mining, forestry, railroads, coasts and rivers, soils, farmlands, land claims, Native Americans and explorations.
This collection is comprised of two (2) daguerreotypes showing portraits of brothers Thomas and Walter Monteith, who founded the town of Albany, Oregon, circa 1849. They traveled to Oregon from New York in 1847 and settled adjacent land claims, sharing a house which straddled the two claims.
A series of interviews Oregon photographer Marian Wood Kolisch conducted with local figures in the arts, business, and politics. Many of these interviews were conducted at the same time she took portraits of these individuals.
Kolisch, Marian W.
Collection includes: Correspondence, sermons, awards and certificates, files from his activity in the Urban League of Portland and other civil and philanthropic associations, Minutes of meetings for Men's Club of St. Philip's Church, missionaries' quarterly reports, etc.
Stone, Lee Owen, 1903-1977
The Kiser Photo Co. photographs include images produced by the Kiser Brothers, the Lewis and Clark Centennial Exposition Official Photographic Co., the Kiser Photo Co., and the Winter Photo Co. from 1901-circa 1927. Other imprints include Fred H. Kiser Studios, Kiser Studios, and Scenic America Company. The collection contains both vintage black-and-white and hand-colored prints, including stereographs and panoramic photographs, as well as copy prints made from original Kiser negatives. The bulk of the images are examples of Kiser's landscape and mountain photography in Montana, Oregon, and along the Columbia River Gorge and Columbia River Highway, among other places, as well as of various places in Portland, Or. Other subjects include the Louisiana Purchase Exposition in St. Louis, Mo., 1904; the Lewis and Clark Centennial Exposition in Portland, Or., 1905; landscape photographs taken for various railroad companies, 1903-1916; photographs of ships and shipbuilding in the Portland, Or. area, taken for the Emergency Fleet Corporation, 1918-1919; and photos of Kiser studio buildings in Portland, 1909-1923.
The collection also contains contemporary photomechanical reproductions of Kiser photographs, dating from 1903-circa 1930. These include postcards, photomechanical prints both loose and in albums, and publications containing reproductions of Kiser work. There are also background materials that contain biographical notes Fred H. Kiser and the history of his work with photography that were gathered during collection processing and date from 1903-1999.
Many images in the collection were made by the Kiser Brothers or Kiser Photo Company and its photographers but were produced for sale to the public over a long period of time, first by the Kiser Photo Company and then the Winter Photo Company. After Kiser sold part of his business to Winter in 1915, it appears that Kiser continued to make prints from earlier images for which Winter held the negatives, possibly by making copy negatives from original prints. Photographer Benjamin Gifford also bought Kiser negatives and produced them for sale; many of the copy prints in this collection were made from Kiser negatives that are housed in the Gifford and Prentiss photograph collection, Org. Lot 982.
Note on dates and photographers’ negative numbers: Kiser and Winter often issued prints of the same images over a long period. Prints sometimes include copyright dates in the photographer’s imprint. The dates provided in this guide include: actual date of photograph if known, copyright date if known, or circa dates derived from photographers’ negative numbers and image content. Kiser Brothers did not use a negative numbering system as far as can be determined. Kiser Photo Co.’s earliest assigned numbers represent the firm’s output but also may be for images made by the Kiser Brothers but marketed later. They are low numbers preceded by an “x”. Kiser seems to have adopted a consecutive numbering system by about 1906. The numbers are handwritten in pencil on the verso of prints. After he purchased part of the business in 1915, Winter appears to have continued the consecutive numbering system from where Kiser Photo Company left off. After 1915, Kiser appears to have adopted a new numbering system, using a “C” prefix.
Kiser, Fred H., 1878-1955
The papers consist of four groups of materials acquired by the Oregon Historical Society at various times. The first group, designated Mss 114, consists of correspondence (1848-1869) concerning the conduct of Indian affairs in Oregon, enlistment of a state militia, and efforts to establish a Union League Council. Correspondents include Benjamin Alvord, Jesse Applegate, Benjamin Bonneville, Samuel Culver, Addison C. Gibbs, and Joseph Lane. Also included is a diary (1857) kept by Palmer while on a voyage from Oregon City to Washington, D.C. via Panama; typescript copies of diaries (1854, 1856, 1860-1861) recording his travels throughout the Pacific Northwest; hand written copy of an agreement (1854) between the United States, represented by superintendent of Indian Affairs, Joel Palmer, and the Calipooia Indian tribe; and articles of incorporation (1862) of the Columbia River Railroad Company.
The second group of materials, designated Mss 114-1, consists of letters sent to Sarah Ann Palmer from various relatives, and receipts and other ephemera of Joel Palmer. Among these are hand written copies of poems dated 1783, possibly from one of Palmer's ancestors.
The third group within the collection, designated Mss 114-2, contains mostly biographical information about Palmer, along with letters written by his descendants and letters relating to the dedication of a statue of Palmer in 1971.
A fourth group of papers, designated Mss 114-3, consists of general correspondence, primarily political and military in nature, legal papers, and a survey of an unidentified Indian reservation.
The final group of materials, designated Mss 114-4, includes a manuscript poem, Bristol, England, 1784; letters from Palmer to General Joseph Lane and others; manuscript copy of report to the U.S. Secretary of War or the Commissioner of Indian Affairs from General Joseph Lane, ca. 1849; a letter from W. B. Bonney to Joel Palmer, 1850 Jan. 17; letter to Joel Palmer from Lieutenant Colonel Benjamin Bonneville, 1855 Mar. 27; printed copy of the treaty between the United States and the Rogue River Indians, 1855; manuscript extracts from "Articles of treatry made at Port Orford," 1857 Sept. 20; hand drawn map of the Columbia River and its tributaries, undated; and a pamphlet titled "History of the Grand Ronde Military Block House," 1911.
Palmer, Joel, 1810-1881
A series of oral history interviews conducted between 1992 and 1998 with Japanese Americans in Oregon. Loen Dozono of the Japanese American Citizen's League (JACL) collaborated with OHS on this project. The interviews were conducted by JACL and OHS staff and volunteers. They aimed to interview Issei (first generation Japanese Americans), and ultimately also interviewed several Nisei (second generation Japanese Americans).
James Frederick Failing was born in New York on March 24, 1842 to Josiah Failing and Henrietta Legge Ellison. His father and older brothers, Henry and John William, arrived in Portland in 1851, followed two years later in 1853 by James, their mother, and sister, Elizabeth. James completed his education at Portland Academy, then joined J. Failing and Co. as a clerk. The company was a wholesale hardware business started by Josiah and Henry Failing at the corner of first and Oak Streets. James later became a partner at Corbett, Failing and Company. The company operated under this name for 22 years, before later becoming Failing-McCalman Company, operated in part by James's three sons.
In 1877, James Failing became a director of the First National Bank in Portland, remaining a senior director until his death in 1920. He married Jane Johnson Conner in 1880. She was born in Albany, Oregon on February 14, 1855 to merchant John Conner (1820-1902) and his first wife, Martha Mariea Bancroft Whittlesey (1827-1861). Later, John Conner married James's sister, Elizabeth Ann Failing in 1863. Jane Conner and James F. Failing had five children: Edward Josiah (1881-1936), Kate Whittlesey (1883-1971), John Conner (1886-1951), Frederick Ellison (1892-1929), and Henrietta Chase, 1895-1989). Kate and Henrietta participated regularly in Portland civic life, volunteering with numerous organizations.
James Failing and his family were members of the First Baptist Church of Portland. He was involved in the development and construction of the church's Taylor Street building between 1892 and 1893, and was both a trustee and a deacon. His daughter Kate created scrapbooks documenting the history of the church. He was also a director of the Young Men's Christian Association and a trustee for McMinnville College (later known as Linfield College), and an active member of the Oregon Pioneer Society and the Auld Lang Syne Society. Both his father, Josiah, and brother Henry served as mayors of Portland. While James never held public office, he was regarded as a prominent individual in the Portland business and civic communities.
Failing, James F. (James Frederick), 1842-1920
The collection consists principally of the typescript (with corrections in hand) of Horner's work, Wallowa River and Valley, dealing with regional history, as well as the Nez Percé Indians. Other papers include correspondence (ca. 1889-1985); legal documents (1898-1931); patents for window construction (1921-1922); and manuscript materials (undated). Horner's main correspondent is Otis Halfmoon, a Catholic Nez Percé who assisted with the author's manuscript. The collection also includes a list of other contributors that assisted Horner in his research
Horner, J. H., 1870-1953
The collection consists of notes for lectures given by the nature photographer Herman T. Bohlman. Lectures include talks on birds in the Crater Lake region, on the California Condor, and wintertime birds. The collection additionally contains a handwritten schedule of talks, loose notes, the envelopes in which the notes were originally stored, and a photograph by Bohlman of a black chickadee family which was found with the notes.
The Gay and Lesbian Archives of the Pacific Northwest (GLAPN) was established in Portland, Oregon, by Tom Cook in the early 1990s. Since then the organization has collected archival materials and oral histories from organizations and individuals active in lesbian and gay issues in the Portland area and throughout the Pacific Northwest. Many of these oral histories were gathered by Portland State University students, from the late 90s to present.
This collection contains black-and-white photoprints of images taken by Gary Scott on the occasion of Oregon Governor Tom McCall's visit with the students of Parkrose High School and Fremont Jr. High School, in Portland, on April 22, 1970. This marked the first celebration of Earth Day in Oregon. Those in attendance included personnel from both Parkrose High School and Fremont Junior High School.
Digital Collection consists of retouched high resolution scans created by Gary Scott from original prints.
The Fred Meyer Oral History Series discusses the business operations and the man behind the Fred Meyer stores, one of the first self-service grocery stores in the nation. They were innovators in the concept of one-stop shopping, paving the way for the modern superstore.
Academy of Science of St. Louis
Oral history interviews produced by students at Franklin High School.
Franklin High School (Portland, Or.)
A series of oral history interviews conducted by Curtis Johnson about the history of Drive-in restaurants in Portland, Oregon with a particular emphasis on Tik-Tok and Yaw's Top Notch.
Recorded on September 29th 1937 at the opening of the Bonneville Dam and edited for the radio, the tape includes a speech by Oregon Secretary of State Earl Snell about traffic safety and a speech by President Franklin D. Roosevelt about urban development and growth, hydro-electricity, the Bonneville Dam, Columbia River development, regional planning and the Army Corps of Engineers.
Transcript includes the entire original speech by President Roosevelt.
Snell, Earl, 1895-1947
Erskine Wood discusses summer vacations spent in household of Chief Joseph.
The collection consists of two copies of a poster entitled “Coronation of Womanhood” and a single copy of an identification key to the people depicted in the poster. The posters are printed from a photo crayon lithograph engraving. At the front center of the image, the goddess of Liberty is crowning a kneeling female figure representing womanhood. Below them is a banner reading, “Coronation of Womanhood.” Arranged in a half-circle above Liberty and Womanhood at the top of the poster are the portraits of Edward Dickinson Baker, George Washington, Abraham Lincoln, and James A. Garfield. Flanking either side of the image is a dais draped in bunting featuring the state crests of New York, California, Oregon, Nebraska, Wyoming, and the District of Columbia. Seated at the dais are 17 women of the suffrage movement: Martha C. Wright, Elizabeth Cady Stanton, Lucy Stone, Frances Wright, Lucretia Coffin Mott, Elizabeth Boynton Harbert, Susan B. Anthony, Abigail Scott Duniway, Dr. Clemence S. Lozier, Helen M. Gouger, Sarah L. Knox Goodrich, Mary Ashton Rice Livermore, Mary J. Collins, Julia Ward Howe, Lillie Devereux Black, Matilda Jocelyn Gage, and Ernestine L. Rose. Below the dais, there is an audience of 275 additional men recognized as supporters of women’s enfranchisement. The men depicted in the scene include Matthew Deady, Stephen F. Chadwick, Rockey Preston Earhart, Joseph N. Dolph, Melvin Clark George, Samuel Royal Thurston, and William S. Ladd. A full listing of the depicted individuals is accessible via the identification key. The inscription at the bottom of the poster reads, “Respectfully dedicated to the loyal subjects of liberty who paved the way to woman’s enfranchisement in the Pacific Northwest, United States of America, anno domini one thousand eight hundred eighty three.”
Source: The Idaho Semi-Weekly World. February 20, 1885.
Duniway, Abigail Scott, 1834-1915
A series of lectures given by Gertrude Glutsch Jensen on the importance of preserving the Columbia River Gorge.
Jensen, Gertrude Glutsch, 1903-
The collection consists of correspondence, journals, ship logs, administrative records, and ink sketches relating to the ship Columbia Rediviva. A mix of original materials and reproductions are present. Among the originals are: the journal of John Hoskins, written during the Columbia's journey around the world in 1791-1792; the journal of George Barrell, 1806, written on board the brig Venus from Boston to Malaga, and on the schooner Louisiana from Malaga to New York; Barrell's account of stores on board the Columbia, 1792-1793; letters of Joseph Barrell to Samuel Webb, 1785-1801, and to John Hoskins, 1790; letters from Colburn Barrell and Robert Haswell, 1801; owner's accounts, 1787-1793; accounts of the Columbia and Lady Washington, 1787-1790; receipts; and four ink sketches by George Davidson depicting incidents in the voyages of the Columbia.
The reproductions held in this collection include the journals of Robert Haswell and Owen Smith, 1787-1789; and a file of receipts and other papers concerning outfitting of the Columbia, 1790 (on microfilm). Also included are publications of Robert Gray's wife Martha's petition to congress for a pension and memorial, 1848-1852.
Cartes- de- visite are a form of card photograph popular from around 1860 to the early 1900s, typically used for portraiture. The common construction of these cards consists of a thin albumen print mounted on a thicker card backing measuring 2.5 x 4 inches. André Adolphe-Eugène Disdéri patented the process of creating these photo cards in Paris in 1854, streamlining the process of commercial portraiture. Cartes- de- visite were traded among friends and visitors and they were popularly displayed in albums. In the United States, cartes- de- visite were a staple of commercial photographers during the Civil War as a means of selling inexpensive portraits of soldiers and their loved ones. Photographs of celebrities, military, and political figures were also popular for collecting and trading. Cartes- de- visite were superseded by Cabinet cards, a similar, larger format of roughly 4.5 x 6.5 inches, in the 1870s, but they remained popular into the 20th century.
This artificial collection was accumulated from accessions containing cartes- de- visite photographs acquired prior to 2010 by the Oregon Historical Society Research Library. The cartes- de- visite were originally part of a topical photograph collection and were separated into their own collection to address preservation concerns. The numbering scheme for the collection reflects their original placement within the topical photograph collection. As a result, numbering in this collection is not sequential. The collection includes portraits taken from about 1855 through the early 1900s. Many of the portraits have attached biographical information. Portraits by many well-known Oregon photography studios are represented in this collection, including Joseph Buchtel, Andrew B. Paxton, Isaac G. Davidson, Peter Britt, and F. A. Smith. The collection also contains images of locomotives, ships, buildings, and landscapes in the Pacific Northwest.
Also included is the Photographer Study Collection, which contains sample work from several studios in Oregon, California, and Washington. The portraits in this series are unidentified with the exception of a small selection of portraits that were identified after the collection was assembled.
In addition to Oregon-related materials, the collection includes cartes- de- visite of notable military, political, and celebrity figures from the late 19th century. The most common subjects are American Civil War portraits, a series of illustrations of George and Martha Washington, European notables cards, and advertisements.
This collection contains stereographs, cartes de visite, cabinet and boudoir cards, photograph albums, mammoth plates, and other loose prints taken by landscape photographer Carleton E. Watkins, 1861-1885. Watkins photographs that were taken before he lost his Yosemite Art Gallery studio in 1876 to Isaiah W. Taber are known as his "Old Series." Watkins photographs taken after 1876 are referred to as his "New Series." The collection contains both Old Series and New Series images and includes some of Watkins' photographs printed under Taber's imprint..
The bulk of the stereographs and mammoth plate photographs in this collection were taken during Watkins' trips to Oregon to photograph Portland, the Willamette River, and the Columbia River in 1867 (Old Series), as well as in 1882, 1883, and the winter of 1884-1885 (New Series). There are also some stereographs that were taken by Watkins on his 1882 voyage to photograph Puget Sound in the Washington Territory and Victoria in British Columbia. Other mammoth plates, cartes de visite, and stereographs depict views of places in California, including Yosemite and Mariposa County, the Farallon Islands and other scenes of the California coast, San Francisco, Round Top, Mount Lola, and Mount Shasta, as well as views of Utah taken for the Union Pacific Railroad. There are also cabinet card portraits taken by Watkins of various people, including Oregon railroad financier Simeon Gannett Reed and members of the family of Cornelius C. Beekman (1828-1915), banker from Jacksonville, Or.
The collection also contains two photograph albums assembled by Watkins and originally owned by Charles H. Prescott (b. 1839), manager of the Oregon Railroad and Navigation Co. from 1881-1887. One album, "Sun Sketches of Columbia River Scenery," contains images taken by Watkins during his trips to the Columbia River Gorge circa 1882-1883, and the second album, ""Great Storm of the Winter of 1884-5. Columbia River, Or.," contains images that he took during a winter blizzard in December and January of 1884-1885 that snowed in an Oregon Railway and Navigation Co. train on its tracks along the Columbia River. The collection also contains one group of stereographs entitled "Watkins' Pacific Railroad" that were originally taken by Alfred A. Hart, official photographer for the Central Pacific Railroad, between 1862-1869 and reprinted by Watkins under his own imprint after 1870.
Watkins, Carleton E., 1829-1916