Photograph showing firefighters and others standing among fire hoses in the outside the Pacific Telephone & Telegraph exchange building at Alder and West Park streets (now Southwest Alder Street and Southwest Park Avenue) in Portland. A cropped version of this photograph was one of four that were published on the front page of the Oregon Journal city edition on Friday, May 8, 1925, under the headline “Here Is Fire Which Paralyzed City.” The photographs had the following caption: “Photographs of this afternoon’s blaze in the Telephone building at West Park and Alder streets, which brought home to thousands how dependent they are on telephones.” This photograph had the following additional caption information: “Lines of hoses littering the streets in the vicinity.” The photographs accompanied a story headlined “Telephone Service Paralyzed by Blaze; Damage is $150,000.” The story reported: “Telephone service in the downtown district south of Washington street was completely paralyzed today, shortly after noon, when fire broke out in the basement of the Main-Atwater exchange of the Pacific Telephone & Telegraph Company, West Park and Alder streets. The fire, which is believed to have been caused by a short circuit in the multiple switch box, was confined to the basement of the building and lay like a pall over the surrounding blocks of the business district. The estimated damage to the apparatus and building, which is valued at $600,000, is in excess of $150,000.”

Tape 2, Side 1. In the second interview session, conducted on June 9, 1982, Brounstein continues to discuss his career as a patternmaker and clothing designer. He talks about his design process, about working with different fabrics, and about how mass production of clothing changed the industry. He closes the interview by discussing his retirement activities, particularly teaching classes on patternmaking at Bassist College, now the Portland Art Institute.

Tape 1, Side 2. In the first interview session, conducted on May 25, 1982, Brounstein discusses his family background and early life in Portland, Oregon. He talks about his family's wool trade company, J. Brounstein and Sons, and also describes some of his father's wagoneering experiences. He discusses his Jewish heritage and his family's observation of Judaism. He then talks about his career as a patternmaker and clothing designer, including his experiences at White Stag and the Columbia Garment Company in Portland and at the Del Mode Company in Seattle, Washington. He discusses the changes in women's fashion over the 20th century, and talks about sizing of women's clothing.

Tape 1, Side 1. In the first interview session, conducted on May 25, 1982, Brounstein discusses his family background and early life in Portland, Oregon. He talks about his family's wool trade company, J. Brounstein and Sons, and also describes some of his father's wagoneering experiences. He discusses his Jewish heritage and his family's observation of Judaism. He then talks about his career as a patternmaker and clothing designer, including his experiences at White Stag and the Columbia Garment Company in Portland and at the Del Mode Company in Seattle, Washington. He discusses the changes in women's fashion over the 20th century, and talks about sizing of women's clothing.

Tape 1, Side 2. his oral history interview with Mary E. Blossom was conducted by Charles Digregorio at the Oregon Historical Society in Portland, Oregon, on May 10, 1977, as part of the oral history program at the society's research library.

In this interview, Blossom discusses her family background and early life in the Nob Hill neighborhood of Portland, Oregon. She describes the use and appearance of calling cards and speaks at length about prominent people and families who lived in Portland during the early 20th century. She also talks about her career as a librarian for the Multnomah County Public Library.

Tape 1, Side 1. his oral history interview with Mary E. Blossom was conducted by Charles Digregorio at the Oregon Historical Society in Portland, Oregon, on May 10, 1977, as part of the oral history program at the society's research library.

In this interview, Blossom discusses her family background and early life in the Nob Hill neighborhood of Portland, Oregon. She describes the use and appearance of calling cards and speaks at length about prominent people and families who lived in Portland during the early 20th century. She also talks about her career as a librarian for the Multnomah County Public Library.

Tape 2, Side 2. This oral history interview with Don G. Berry was conducted by Linda S. Dodds at Berry's home on Vashon Island, Washington, on February 11, 1980, as part of the Oregon Historical Society Research Library's oral history program. At the time of the interview, Dodds' name was Linda S. Brody.

In this interview, Berry discusses and plays Zimbabwean music on an mbira, also known as a thumb piano. He speaks about his spirituality and shares thoughts on Eastern philosophies. He also discusses his experiences at Reed College from 1949 to 1951. He speaks about writing historical novels, as well as the reasons why he stopped writing fiction. He discusses writing as an art form, and talks about his other work as an artist, including film and bronze sculpture. He talks about the benefits and drawbacks of life in individualistic and communal societies; shares his thoughts about the future of computers, particularly for use in writing and music; and speaks at length about his feminism and support for the women's movement. He closes the interview by talking about how he developed his interests.

Tape 2, Side 1. This oral history interview with Don G. Berry was conducted by Linda S. Dodds at Berry's home on Vashon Island, Washington, on February 11, 1980, as part of the Oregon Historical Society Research Library's oral history program. At the time of the interview, Dodds' name was Linda S. Brody.

In this interview, Berry discusses and plays Zimbabwean music on an mbira, also known as a thumb piano. He speaks about his spirituality and shares thoughts on Eastern philosophies. He also discusses his experiences at Reed College from 1949 to 1951. He speaks about writing historical novels, as well as the reasons why he stopped writing fiction. He discusses writing as an art form, and talks about his other work as an artist, including film and bronze sculpture. He talks about the benefits and drawbacks of life in individualistic and communal societies; shares his thoughts about the future of computers, particularly for use in writing and music; and speaks at length about his feminism and support for the women's movement. He closes the interview by talking about how he developed his interests.

Tape 1, Side 2. This oral history interview with Don G. Berry was conducted by Linda S. Dodds at Berry's home on Vashon Island, Washington, on February 11, 1980, as part of the Oregon Historical Society Research Library's oral history program. At the time of the interview, Dodds' name was Linda S. Brody.

In this interview, Berry discusses and plays Zimbabwean music on an mbira, also known as a thumb piano. He speaks about his spirituality and shares thoughts on Eastern philosophies. He also discusses his experiences at Reed College from 1949 to 1951. He speaks about writing historical novels, as well as the reasons why he stopped writing fiction. He discusses writing as an art form, and talks about his other work as an artist, including film and bronze sculpture. He talks about the benefits and drawbacks of life in individualistic and communal societies; shares his thoughts about the future of computers, particularly for use in writing and music; and speaks at length about his feminism and support for the women's movement. He closes the interview by talking about how he developed his interests.

Tape 1, Side 1. This oral history interview with Don G. Berry was conducted by Linda S. Dodds at Berry's home on Vashon Island, Washington, on February 11, 1980, as part of the Oregon Historical Society Research Library's oral history program. At the time of the interview, Dodds' name was Linda S. Brody.

In this interview, Berry discusses and plays Zimbabwean music on an mbira, also known as a thumb piano. He speaks about his spirituality and shares thoughts on Eastern philosophies. He also discusses his experiences at Reed College from 1949 to 1951. He speaks about writing historical novels, as well as the reasons why he stopped writing fiction. He discusses writing as an art form, and talks about his other work as an artist, including film and bronze sculpture. He talks about the benefits and drawbacks of life in individualistic and communal societies; shares his thoughts about the future of computers, particularly for use in writing and music; and speaks at length about his feminism and support for the women's movement. He closes the interview by talking about how he developed his interests.

Tape 1, Side 2. This oral history interview with Margaret Biddle Parker was conducted by Charles Digregorio and Terence O'Donnell in Portland, Oregon, on March 28, 1978, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Parker looks at and describes photographs of her mother, Margaret Burrell Biddle, and talks about her mother's life. She talks about their relationship, about their travels, and about her mother's talent for gardening. She describes the places her mother lived after her divorce in 1925, talks about her mother's antisemitism, and discusses her mother's recreational activities.

Tape 1, Side 1. This oral history interview with Margaret Biddle Parker was conducted by Charles Digregorio and Terence O'Donnell in Portland, Oregon, on March 28, 1978, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Parker looks at and describes photographs of her mother, Margaret Burrell Biddle, and talks about her mother's life. She talks about their relationship, about their travels, and about her mother's talent for gardening. She describes the places her mother lived after her divorce in 1925, talks about her mother's antisemitism, and discusses her mother's recreational activities.

Tape 1, Side 2. This oral history interview with Forrest T. Berg was conducted by Charles Digregorio on November 6, 1978, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Berg discusses his family background and early life in the San Francisco Bay Area, including his experiences working in department stores in San Francisco. He talks about moving to Portland, Oregon, in the 1920s to work for his father's clothing store, the Charles F. Berg Company. He also briefly talks about the career of his half-sister, Caroline Berg. He describes building the Chumley clothing line for women, talks about marketing the Charles F. Berg clothing store, and discusses how the clothing retail industry changed over the 20th century. He talks about his involvement with several civic organizations, including the Portland Chamber of Commerce and the Boys Club of America. He closes the interview by discussing the construction of the Timberline Lodge.

Tape 1, Side 1. This oral history interview with Forrest T. Berg was conducted by Charles Digregorio on November 6, 1978, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Berg discusses his family background and early life in the San Francisco Bay Area, including his experiences working in department stores in San Francisco. He talks about moving to Portland, Oregon, in the 1920s to work for his father's clothing store, the Charles F. Berg Company. He also briefly talks about the career of his half-sister, Caroline Berg. He describes building the Chumley clothing line for women, talks about marketing the Charles F. Berg clothing store, and discusses how the clothing retail industry changed over the 20th century. He talks about his involvement with several civic organizations, including the Portland Chamber of Commerce and the Boys Club of America. He closes the interview by discussing the construction of the Timberline Lodge.

Transcript. This oral history interview with Stanton W. Allison was conducted by Charles Digregorio at the Oregon Historical Society in Portland, Oregon, on August 11, 1976, as part of the oral history program at the society's research library.

In this interview, Allison discusses his family background and early life in the Portland Heights neighborhood of Portland. He speaks at length about his relatives, their families, and their careers. He then talks about the family background of his wife, Winifred Allison, and particularly talks about her uncle, James Carlyle "Carl" Denton, conductor of the Portland Symphony Orchestra (now known as the Oregon Symphony) from 1918 to 1925. He closes the interview by discussing his career as a lawyer in Portland and talking about cases he worked on.

Tape 1, Side 2. This oral history interview with Stanton W. Allison was conducted by Charles Digregorio at the Oregon Historical Society in Portland, Oregon, on August 11, 1976, as part of the oral history program at the society's research library. A transcript is available.

In this interview, Allison discusses his family background and early life in the Portland Heights neighborhood of Portland. He speaks at length about his relatives, their families, and their careers. He then talks about the family background of his wife, Winifred Allison, and particularly talks about her uncle, James Carlyle "Carl" Denton, conductor of the Portland Symphony Orchestra (now known as the Oregon Symphony) from 1918 to 1925. He closes the interview by discussing his career as a lawyer in Portland and talking about cases he worked on.

Tape 1, Side 1. This oral history interview with Stanton W. Allison was conducted by Charles Digregorio at the Oregon Historical Society in Portland, Oregon, on August 11, 1976, as part of the oral history program at the society's research library. A transcript is available.

In this interview, Allison discusses his family background and early life in the Portland Heights neighborhood of Portland. He speaks at length about his relatives, their families, and their careers. He then talks about the family background of his wife, Winifred Allison, and particularly talks about her uncle, James Carlyle "Carl" Denton, conductor of the Portland Symphony Orchestra (now known as the Oregon Symphony) from 1918 to 1925. He closes the interview by discussing his career as a lawyer in Portland and talking about cases he worked on.

Tape 2, Side 2. In the second interview session, conducted on May 30, 1980, Benz speaks further about Benz Spring, and continues to discuss the history of the Benz Spring Company. He talks about the company's products, including logging trailer springs and leaf springs; speaks again about a spring he donated to the Oregon Historical Society; and describes the power sources the company used for its manufacturing processes. He then speaks further about his family background and talks about his service in the U.S. Army Air Forces during World War II. He closes the interview by discussing the growth of the Benz Spring Company.

Tape 2, Side 1. In the second interview session, conducted on May 30, 1980, Benz speaks further about Benz Spring, and continues to discuss the history of the Benz Spring Company. He talks about the company's products, including logging trailer springs and leaf springs; speaks again about a spring he donated to the Oregon Historical Society; and describes the power sources the company used for its manufacturing processes. He then speaks further about his family background and talks about his service in the U.S. Army Air Forces during World War II. He closes the interview by discussing the growth of the Benz Spring Company.

Tape 1, Side 2. In the first interview session, conducted on February 27, 1980, Benz describes how Benz Spring got its name and gives directions to the spring. He speaks about the history of his family's spring-manufacturing company, the Benz Spring Company. He talks about the uses for the company's springs, about the manufacturing process, and about the company's other products and patents. He also talks about a spring he donated to the Oregon Historical Society. He then discusses his family background. He talks about the Benz Spring Company's competition with the Laher Company, which also manufactured springs.

Tape 1, Side 1. In the first interview session, conducted on February 27, 1980, Benz describes how Benz Spring got its name and gives directions to the spring. He speaks about the history of his family's spring-manufacturing company, the Benz Spring Company. He talks about the uses for the company's springs, about the manufacturing process, and about the company's other products and patents. He also talks about a spring he donated to the Oregon Historical Society. He then discusses his family background. He talks about the Benz Spring Company's competition with the Laher Company, which also manufactured springs.

Tape 1, Side 2. This oral history interview with Forrest E. Balliet was conducted by Roberta Watts in Portland, Oregon, on March 2, 1978, as part of the Oregon Historical Society Research Library's oral history program. An unidentified woman was also present.

In this interview, Balliet discusses his family background and early life with his grandmother near Talent, Oregon, and in Ashland, Oregon. He describes his work history in Montana, Missouri, Washington, Utah, Oregon, and California, including sheep ranching, mule driving, and seasonal farm work. He discusses living in rooming houses in downtown Portland and describes the city in the late 1910s, and also talks about staying in shelters run by the Salvation Army. He shares his experiences in the U.S. Army in France during World War I.

Tape 1, Side 1. This oral history interview with David E. Becker was conducted by Charles Digregorio on August 11, 1976, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Becker discusses his family background, and particularly talks about the life and career of his father, Ray F. Becker. He discusses the family steel fabrication business, the Ray F. Becker Company, and talks about how the business changed over the 20th century.

Tape 1, Side 1. This oral history interview with Forrest E. Balliet was conducted by Roberta Watts in Portland, Oregon, on March 2, 1978, as part of the Oregon Historical Society Research Library's oral history program. An unidentified woman was also present.

In this interview, Balliet discusses his family background and early life with his grandmother near Talent, Oregon, and in Ashland, Oregon. He describes his work history in Montana, Missouri, Washington, Utah, Oregon, and California, including sheep ranching, mule driving, and seasonal farm work. He discusses living in rooming houses in downtown Portland and describes the city in the late 1910s, and also talks about staying in shelters run by the Salvation Army. He shares his experiences in the U.S. Army in France during World War I.