- Vault 641.5 S58p
Sansbury, Alice H.
Sansbury, Alice H.
Writer, pioneer, editor, and champion of women's suffrage, Abigail Scott Duniway was born in Groveland, Illinois, in 1834. One of her brothers, Harvey Scott, would become the editor of the Oregonian. The Scott family traveled overland to Oregon in 1852, a trip on which Abigail's mother and youngest brother died. The family came first to Oregon City, then settled in Lafayette. Abigail taught school at Eola, and in 1853 she married Benjamin C. Duniway, with whom she had four children. After her husband was incapacitated in an 1862 accident, Duniway supported her family through teaching and a millinery business in Albany, Oregon. After moving to Portland in 1871 she published and edited The new northwest and became Oregon's leading advocate of women's suffrage. She moved to Idaho in 1887 and helped to achieve women's voting rights there in 1896. After returning to Oregon she was instrumental in the passage of Oregon's own women's suffrage bill in 1912. Her writings include the autobiography Path Breaking (1914) and the novel Captain Gray's Company.
The collection, which represents only a small portion of Duniway's papers, includes: the records of the Oregon State Equal Suffrage Association, including minute book, membership and account books, constitutions, a small amount of correspondence, and a copy of a letter from Susan B. Anthony regarding the woman's suffrage movement; and records of the Duniway Publishing Company, consisting of cash, mailing and advertising ledgers (1880-1886) of the publication The new northwest. Also included in the collection is a copy of a typed transcript of Duniway's journal kept during her family's overland trek from Illinois (1852 April 2) to Oregon City, Oregon (1852 September 28), on which her mother and younger brother died. The transcript contains an introduction by Leslie M. Scott. A subscription list from the Oregon State Secular Union from 1891 can also be found in the collection.
Duniway, Abigail Scott, 1834-1915
One autograph letter, A.L.S., from Abraham Lincoln in Springfield, Ill. to Simeon Francis in Oregon, 1860 Aug. 4, discussing the upcoming presidential election and prospects for the winning of various states. Collection also includes photostatic copies of three additional letters: Lincoln to James Thornton, 1858 Dec. 2; Simeon Francis to Lincoln, 1859 Dec. 26; and David Logan to Lincoln, 1861 Sept. 5.
Lincoln, Abraham, 1809-1865
Aaron Frank urges assembled employees to resist union organizing effort. He enumerates the benefits provided to employees by Meier & Frank, gives examples of management/employee loyalty, lists responsibilities as director, and makes a plea for an employee vote of confidence.The employees utlimately voted against unionization.
The vast majority of this collection is made up of negatives created by Al Monner for the Oregon Journal. A small number of negatives were likely created by fellow Journal photographer Ralph Vincent, also for the Oregon Journal. While it's likely that almost all the negatives in this collection were created as part of Monner's work for the Journal, some images may also be his personal work. Most of the negatives are black and white, with a handful of color images taken in the 1950s and 1960s. A small selection of images from 1936 to 1938 were likely taken during Monner's time at the Oregonian newspaper. Large-format negatives from 1936 to 1959 have been processed and inventoried, while 35mm film from 1959 to 1974 remains unprocessed.
The photographs highlight over 30 years of current events in and around the Portland area, with a smaller number taken elsewhere in the state. Yearly events, such as the Portland Rose Festival and the Pendleton Round-Up, are featured prominently. A substantial number of images from the 1940s show Portland war efforts during World War II, featuring photographs of shipyards, soldiers, and rationing efforts at home. A small number of photographs also show early incarceration of Japanese Americans. Monner also frequently photographed dam-building efforts on the Columbia River at Celilo Village, The Dalles, and Bonneville.
Also included are photographs of accident scenes, fires, explosions, new building projects, sporting events, contest winners, and important national figures visiting the Portland area. Taken together, the collection displays the breadth of Monner's work as a photojournalist, covering the everyday to the exciting.
Monner, Al (Alfred Anthony), 1909-1998
Sketchbook, 1 vol., August 1898-August 1899, filled with charcoal sketches of houses and scenery on the Oregon Coast including: Garibaldi, Tillamook and Seaside.
Wilson, Alice E.
Kami Temamura interviewed 8 Oregon State Legislators regarding their involvement in the passage of Senate Bill 100 in 1973 for her Masters Thesis project at University of Oregon.
The collection includes correspondence, clippings, documents, and ephemera, most of which relate to Zimiri Parvin, James Nassau Brown, Mamie Parvin Brown, Vivian Z. Brown, and Verne Clawson Brown. There are also some materials on the Sutton, Taylor, and Price families, all related by marriage to the Parvins and Browns. Included are: musical compositions by Zimiri Parvin, letters from James Nassau Brown to his wife Mamie, a biographical article by Doris Huffman (1976), diplomas and certificates, high school yearbooks, a pocket diary of Josephine Taylor Sutton containing recipes, a program for a banquet honoring Susan B. Anthony in Salem in 1900, a Taylor family history document from the late 18th century, a group of baggage tags from hotels, and a collection of bank notes from the early 19th century. Among James Nassau Brown's letters is one of 1903 from Salem describing a typhoid epidemic.
A single pencil sketch of Camp Watson, Oregon dated to 1865. The First Regiment Oregon volunteer Cavalry maintained Camp Watson from 1864 to 1869 during the conflict with members of the Bannock, Shoshoni, and Paiute peoples known as the Snake War.
This collection contains stereographs, cartes de visite, cabinet and boudoir cards, photograph albums, mammoth plates, and other loose prints taken by landscape photographer Carleton E. Watkins, 1861-1885. Watkins photographs that were taken before he lost his Yosemite Art Gallery studio in 1876 to Isaiah W. Taber are known as his "Old Series." Watkins photographs taken after 1876 are referred to as his "New Series." The collection contains both Old Series and New Series images and includes some of Watkins' photographs printed under Taber's imprint..
The bulk of the stereographs and mammoth plate photographs in this collection were taken during Watkins' trips to Oregon to photograph Portland, the Willamette River, and the Columbia River in 1867 (Old Series), as well as in 1882, 1883, and the winter of 1884-1885 (New Series). There are also some stereographs that were taken by Watkins on his 1882 voyage to photograph Puget Sound in the Washington Territory and Victoria in British Columbia. Other mammoth plates, cartes de visite, and stereographs depict views of places in California, including Yosemite and Mariposa County, the Farallon Islands and other scenes of the California coast, San Francisco, Round Top, Mount Lola, and Mount Shasta, as well as views of Utah taken for the Union Pacific Railroad. There are also cabinet card portraits taken by Watkins of various people, including Oregon railroad financier Simeon Gannett Reed and members of the family of Cornelius C. Beekman (1828-1915), banker from Jacksonville, Or.
The collection also contains two photograph albums assembled by Watkins and originally owned by Charles H. Prescott (b. 1839), manager of the Oregon Railroad and Navigation Co. from 1881-1887. One album, "Sun Sketches of Columbia River Scenery," contains images taken by Watkins during his trips to the Columbia River Gorge circa 1882-1883, and the second album, ""Great Storm of the Winter of 1884-5. Columbia River, Or.," contains images that he took during a winter blizzard in December and January of 1884-1885 that snowed in an Oregon Railway and Navigation Co. train on its tracks along the Columbia River. The collection also contains one group of stereographs entitled "Watkins' Pacific Railroad" that were originally taken by Alfred A. Hart, official photographer for the Central Pacific Railroad, between 1862-1869 and reprinted by Watkins under his own imprint after 1870.
Watkins, Carleton E., 1829-1916
Cartes- de- visite are a form of card photograph popular from around 1860 to the early 1900s, typically used for portraiture. The common construction of these cards consists of a thin albumen print mounted on a thicker card backing measuring 2.5 x 4 inches. André Adolphe-Eugène Disdéri patented the process of creating these photo cards in Paris in 1854, streamlining the process of commercial portraiture. Cartes- de- visite were traded among friends and visitors and they were popularly displayed in albums. In the United States, cartes- de- visite were a staple of commercial photographers during the Civil War as a means of selling inexpensive portraits of soldiers and their loved ones. Photographs of celebrities, military, and political figures were also popular for collecting and trading. Cartes- de- visite were superseded by Cabinet cards, a similar, larger format of roughly 4.5 x 6.5 inches, in the 1870s, but they remained popular into the 20th century.
This artificial collection was accumulated from accessions containing cartes- de- visite photographs acquired prior to 2010 by the Oregon Historical Society Research Library. The cartes- de- visite were originally part of a topical photograph collection and were separated into their own collection to address preservation concerns. The numbering scheme for the collection reflects their original placement within the topical photograph collection. As a result, numbering in this collection is not sequential. The collection includes portraits taken from about 1855 through the early 1900s. Many of the portraits have attached biographical information. Portraits by many well-known Oregon photography studios are represented in this collection, including Joseph Buchtel, Andrew B. Paxton, Isaac G. Davidson, Peter Britt, and F. A. Smith. The collection also contains images of locomotives, ships, buildings, and landscapes in the Pacific Northwest.
Also included is the Photographer Study Collection, which contains sample work from several studios in Oregon, California, and Washington. The portraits in this series are unidentified with the exception of a small selection of portraits that were identified after the collection was assembled.
In addition to Oregon-related materials, the collection includes cartes- de- visite of notable military, political, and celebrity figures from the late 19th century. The most common subjects are American Civil War portraits, a series of illustrations of George and Martha Washington, European notables cards, and advertisements.
This speech was given by Charles McNary in Salem, Oregon, on August 27, 1940. In the speech, McNary accepts the nomination of the Republican Party for the office of vice president. He praises the policies and personality of the Republican presidential candidate, Wendell Willkie. He also discusses the New Deal and expounds upon Willkie’s plans to change the direction of the country. He shares the history of Oregon, describing its people, landscape, and resources, particularly the emigrants who came across the Oregon Trail. McNary discusses the factors that have affected the American economy in the early 20th century and touches upon the Republican plan to improve the economy, particularly for farmers, and how the plan differs from the programs of the New Deal. He speaks at length about the Republican Party platform of 1940, and the looming specter of World War II.
McNary, Charles Linza, 1874-1944
The collection consists of correspondence, journals, ship logs, administrative records, and ink sketches relating to the ship Columbia Rediviva. A mix of original materials and reproductions are present. Among the originals are: the journal of John Hoskins, written during the Columbia's journey around the world in 1791-1792; the journal of George Barrell, 1806, written on board the brig Venus from Boston to Malaga, and on the schooner Louisiana from Malaga to New York; Barrell's account of stores on board the Columbia, 1792-1793; letters of Joseph Barrell to Samuel Webb, 1785-1801, and to John Hoskins, 1790; letters from Colburn Barrell and Robert Haswell, 1801; owner's accounts, 1787-1793; accounts of the Columbia and Lady Washington, 1787-1790; receipts; and four ink sketches by George Davidson depicting incidents in the voyages of the Columbia.
The reproductions held in this collection include the journals of Robert Haswell and Owen Smith, 1787-1789; and a file of receipts and other papers concerning outfitting of the Columbia, 1790 (on microfilm). Also included are publications of Robert Gray's wife Martha's petition to congress for a pension and memorial, 1848-1852.
A series of lectures given by Gertrude Glutsch Jensen on the importance of preserving the Columbia River Gorge.
Jensen, Gertrude Glutsch, 1903-
The collection consists of two copies of a poster entitled “Coronation of Womanhood” and a single copy of an identification key to the people depicted in the poster. The posters are printed from a photo crayon lithograph engraving. At the front center of the image, the goddess of Liberty is crowning a kneeling female figure representing womanhood. Below them is a banner reading, “Coronation of Womanhood.” Arranged in a half-circle above Liberty and Womanhood at the top of the poster are the portraits of Edward Dickinson Baker, George Washington, Abraham Lincoln, and James A. Garfield. Flanking either side of the image is a dais draped in bunting featuring the state crests of New York, California, Oregon, Nebraska, Wyoming, and the District of Columbia. Seated at the dais are 17 women of the suffrage movement: Martha C. Wright, Elizabeth Cady Stanton, Lucy Stone, Frances Wright, Lucretia Coffin Mott, Elizabeth Boynton Harbert, Susan B. Anthony, Abigail Scott Duniway, Dr. Clemence S. Lozier, Helen M. Gouger, Sarah L. Knox Goodrich, Mary Ashton Rice Livermore, Mary J. Collins, Julia Ward Howe, Lillie Devereux Black, Matilda Jocelyn Gage, and Ernestine L. Rose. Below the dais, there is an audience of 275 additional men recognized as supporters of women’s enfranchisement. The men depicted in the scene include Matthew Deady, Stephen F. Chadwick, Rockey Preston Earhart, Joseph N. Dolph, Melvin Clark George, Samuel Royal Thurston, and William S. Ladd. A full listing of the depicted individuals is accessible via the identification key. The inscription at the bottom of the poster reads, “Respectfully dedicated to the loyal subjects of liberty who paved the way to woman’s enfranchisement in the Pacific Northwest, United States of America, anno domini one thousand eight hundred eighty three.”
Source: The Idaho Semi-Weekly World. February 20, 1885.
Duniway, Abigail Scott, 1834-1915
Collection of materials assembled by the Oregon Historical Society comprised of various letters written from or to individuals in Oregon, ca. 1820-1973.
Erskine Wood discusses summer vacations spent in household of Chief Joseph.
Recorded on September 29th 1937 at the opening of the Bonneville Dam and edited for the radio, the tape includes a speech by Oregon Secretary of State Earl Snell about traffic safety and a speech by President Franklin D. Roosevelt about urban development and growth, hydro-electricity, the Bonneville Dam, Columbia River development, regional planning and the Army Corps of Engineers.
Transcript includes the entire original speech by President Roosevelt.
Snell, Earl, 1895-1947
Papers of Delazon Smith, an early Oregon journalist and political figure in Linn County, Or., who served briefly as one of the first U.S. Senators from the state. Includes letters from Delazon Smith to his wife Mary, some of which detail Smith's journey to the east coast in 1858 and admission of Oregon to the Union in 1859. Also included are letters from Smith family members, including Delavan Smith, a soldier in the Civil War; legal documents and speeches; and transcripts of Delazon's Smith's letters to the Oregon Weekly Times describing conditions in the state and providing advice to overland travelers.
A series of oral history interviews conducted by Curtis Johnson about the history of Drive-in restaurants in Portland, Oregon with a particular emphasis on Tik-Tok and Yaw's Top Notch.
This collection consists of early census and tax records from the Oregon provisional and territorial governments and early Oregon statehood. The materials in this collection were gathered from early, mostly pre-1958, Oregon Historical Society Research Library accessions of census and tax related records. The early census and tax records document demographic and economic data for what are now portions of Oregon and California. Original census records include Elijah White's 1842 census; a census (1849) of males over the age of 21; Jackson County census rolls (ca. 1854-1855, 1858); a Washington County census (1856); a Washington County tax roll (1852); and an agricultural census for Clackamas County (1870). Typescript and photostat reproductions of census records include Joseph Meek's Census of Oregon (1845); Charles Wells’ Benton County census (1854); the United States Census roll for Coos County (1860); and a partial typescript of the 1880 United States Census for Wasco County. The collection also includes reports of the 1850 census for Butte and Calaveras counties in California.
Oil painting on cardboard of Mt. Hood in evening light, 25 May 1880, 15 x 10.2 cm.
Oral history interviews produced by students at Franklin High School.
Franklin High School (Portland, Or.)
The Fred Meyer Oral History Series discusses the business operations and the man behind the Fred Meyer stores, one of the first self-service grocery stores in the nation. They were innovators in the concept of one-stop shopping, paving the way for the modern superstore.
Academy of Science of St. Louis
This collection contains black-and-white photoprints of images taken by Gary Scott on the occasion of Oregon Governor Tom McCall's visit with the students of Parkrose High School and Fremont Jr. High School, in Portland, on April 22, 1970. This marked the first celebration of Earth Day in Oregon. Those in attendance included personnel from both Parkrose High School and Fremont Junior High School.
Digital Collection consists of retouched high resolution scans created by Gary Scott from original prints.
The Gay and Lesbian Archives of the Pacific Northwest (GLAPN) was established in Portland, Oregon, by Tom Cook in the early 1990s. Since then the organization has collected archival materials and oral histories from organizations and individuals active in lesbian and gay issues in the Portland area and throughout the Pacific Northwest. Many of these oral histories were gathered by Portland State University students, from the late 90s to present.
Collection consists of approximately 600 negatives used to produce photographic postcards. The photographs date from 1930 to 1970 and depict landmarks, city streets, storefronts, and tourist destinations across Oregon. A selection of places and events represented in this collection include Breitenbush Hot Springs, the Columbia River Gorge, Crater Lake National Park, Oregon Caves National Monument, The Pendleton Round-Up, Petersen Rock Garden, and Singing Springs Ranch. Also included are street scenes from cities and towns in all regions of the state.
Many of the negatives have original postcard series numbering and a photographer's signature written directly onto the film. Three photographers are represented in the collection; their signatures identify them only as Christian, Perkins, and Ellis. About 70 percent of the work in the collection is attributed to Christian. It is unknown whether the photographers were employed by the Gilliam Portrait Studio and Camera Shop. The studio was likely a purchaser or publisher of their negatives.
Gilliam Portrait Studio and Camera Shop
The collection consists of notes for lectures given by the nature photographer Herman T. Bohlman. Lectures include talks on birds in the Crater Lake region, on the California Condor, and wintertime birds. The collection additionally contains a handwritten schedule of talks, loose notes, the envelopes in which the notes were originally stored, and a photograph by Bohlman of a black chickadee family which was found with the notes.