This oral history interview with Margret D. Thomas was conducted by an unidentified Riverdale High School student as part of the Riverdale School Oral History Series in March 1999. In this interview, Thomas discusses her family. She talks about coming to Portland, Oregon, in 1954, after her marriage to James "Jack" Randolph Thomas in 1942. She discusses Jack Thomas' career as a member of the Riverdale School Board, including the dances he helped to organize for parents. She also talks about life in the Dunthorpe neighborhood of Portland, including her memories of the 1962 Columbus Day storm. Thomas recounts her memories of World War II and the Depression. She then discusses her high school education in Los Angeles County, California, and her involvement with Riverdale School in Portland.

News footage from the KATU Television station in Portland, Oregon.

This oral history interview with Monroe Sweetland was conducted by an unidentified woman on March 11, 2000. In this interview, Sweetland discusses moving to Milwaukie, Oregon, around 1949. He discusses his purchase of the Milwaukie Review newspaper, the houses he and his young family lived in, and life in the Island Station neighborhood. He talks about his children, their early education, their families, and their careers. He talks about his neighbors, including Milwaukie Mayor Joy Burges, as well as the changes in the neighborhood. He also speaks at length about growing lilacs and camellias. He talks about the livability of the Island Station neighborhood. Sweetland and the interviewer discuss the upcoming Milwaukie High School reunion. He goes on to talk about his wife, Lil Megrath, her involvement in progressive politics, and her government career. He also briefly discusses his family background. Sweetland then returns to discussing his children. He speaks at length about urban wildlife, particularly nutria, Canadian geese, and foxes, as well as Kellogg Creek in Milwaukie, particularly regarding its fish and clam populations.

This speech by Tom McCall was given at Portland Television Studios in 1970 and broadcast on KGW-TV. This audio recording of the speech was made by an unknown individual from the television broadcast. The broadcast begins with a weather report and two commercials.

In the speech, McCall discusses the actions taken by the Portland and Multnomah County governments in response to protests expected to be held by the People's Army Jamboree against an upcoming American Legion convention. He describes plans for the music festival known as Vortex I as a way to mitigate the possibility of violence.

After the speech, the recording includes additional commercials and remarks by news analyst Floyd McKay. The recording ends with audio from the evening news broadcast about McCall's speech, including excerpts of the speech and McKay's remarks.

In this interview, Oderman discusses his family background and early life in Foxholm, North Dakota. He describes his experience during the 1918 flu pandemic, including the death of his father. He discusses his mother's remarriage and his early education. He talks about moving to Monroe, Oregon, in 1926, as well as his high school experience there. He then discusses studying business at the University of Oregon during the Depression, including his plans to become an accountant. He also tells several stories about growing up on a farm. He discusses working for the Public Utility Commission and the Bonneville Power Administration as an accountant and auditor. He talks about his family and his social life during that time. He then discusses his service in the U.S. Navy during World War II, and living in Vanport, Oregon, after the end of the war. He discusses his service as western region audit director for the U.S. Interior Department. He closes the interview by discussing his retirement.

Watercolor sketch of the ship Lausanne painted by missionary Hamilton Campbell during his journey by ship from New York to Oregon in 1839. The collection also includes a typescript document signed by Ben Campbell Holladay explaining the provenance of the painting.

Sketchbook, 1 vol., August 1898-August 1899, filled with charcoal sketches of houses and scenery on the Oregon Coast including: Garibaldi, Tillamook and Seaside.

This audio recording consists of a radio announcement, delivered by reporter Robert Bruce, about the death of former Oregon Governor Charles Sprague. The recording was taped from the broadcast of the announcement on an unidentified radio news program. In the segment, Bruce reads from statements by Governor Tom McCall and senators Robert Ellstrom, Jason Boe, and Robert Smith. Bruce then plays excerpts from an oral history interview that he conducted with Sprague in 1962.

Advertising broadside for the Mount Tabor Villa subdivision of Portland, Oregon, sold by the Hart-Royal Company, including a colored plat map. Mount Tabor Villa is today part of the Montavilla neighborhood.

Collection consists of hand-drawn and commercially printed Catholic ladders designed by Francis Norbert Blanchet between 1840 and 1859. The hand-drawn 1840 ladder is believed to have been drawn by Blanchet. The ladder matches extant examples of Blanchet’s handwriting and is addressed to his brother A. M. A. Blanchet at Cedars parish in Canada. Also included in the collection are three printed lithograph ladders with instructions written in French (1846-47 ladder), Spanish (1856 ladder), and English (1859 ladder). There are also photostatic copies of two additional early examples of Blanchet ladders. The collection also includes one Pictorial Catechism printed in 1896 that was designed by Albert Lacombe based off Blanchet’s ladders.

This collection consists of an audio recording and transcript of a panel discussion titled "Oh What a Night! Conversations about Women, the 1970s, and Politics." The discussion was moderated by Melody Rose at the Oregon Historical Society in Portland, Oregon, on March 18, 2004. The four participants were Gretchen Kafoury, Vera Katz, Norma Paulus, and Betty Roberts. Introductory remarks were made by John Pierce.

In the panel discussion, Rose begins by describing the topics that the panel will cover, giving instructions for audience to ask their questions, and introducing the four speakers. Kafoury, Katz, Paulus and Roberts discuss why they entered politics, talk about meeting each other as fellow legislators during the 1973 legislative session, and describe the political climate for women's rights in Oregon and the United States at that time. They talk about their support for the Equal Rights Amendment. They describe legislation they worked on regarding women's rights, reproductive rights, and rights for LGBTQ people. They discuss their strategies for getting their legislation passed and the formation of the Women's Caucus. They discuss work still undone that they feel future women legislators should focus on, and warn that their own accomplishments will need to be safeguarded by future generations. They close the panel with advice for women aspiring to enter politics.

Rose then asks Kafoury, Katz, Paulus, and Roberts selected questions from the audience. They answer questions about the definition of feminism, about the role Black women politicians played in passing women's rights legislation, about Oregon's leadership on numerous progressive issues, and about the personal costs they paid for their legislative work. They also answer questions about the role Oregon Governor Tom McCall played, as well as women in the U.S. Congress; about the failure of the national Equal Rights Amendment; and about U.S. health care policy. The final question answered is about the books that Kafoury, Katz, Paulus, and Roberts are currently reading.

This collection of audio recordings consists predominantly of political advertising work created or managed by Ted Hallock for his public relations agency. Most of the materials are open-reel tapes and date from the late 1960s to the mid-1980s. All but two recordings in the collection are unprocessed.

The processed recordings consist of interviews conducted in 1968 and circa 1975. The 1968 interviews were conducted by an unidentified woman with staffers for U.S. Senator Wayne Morse's re-election campaign. Also on the reel tape with the staff interviews are variations of political ads, produced by Hallock's company, for the Morse campaign. The interview conducted circa 1975 was with Aaron Brown, who became the first black judge in Oregon in 1969 and later served as a judge on the Multnomah County District Court. The interview was conducted by an unidentified woman for Grassroot News Northwest.

Unprocessed recordings in the collection include political campaign materials for Oregon politicians such as Ted Kulongoski, Jim Weaver, Les AuCoin, Wayne Morse, Bob Straub, Mike Lindberg, Connie McCready, John Kitzhaber, and Bob Duncan. The recordings also include advertisements on political topics including sales taxes, ballot measures regarding zoo funding, and the Oregon Department of Environmental Quality. There are also business advertisements, including ads for Douglas Community Hospital, Bidwell & Co., and John's Landing.

The collection consists of 17 black-and-white photographs of attendees and performers at the Vortex I music festival. The photographs depict crowds arriving at the festival, performers on stage, audience members dancing, and attendees sunbathing in the park.

The Vortex I music festival, also known as Vortex I: A Biodegradable Festival of Life, was a rock festival held at Milo McIver State Park near Estacada, Oregon. Members of Governor Tom McCall’s staff in collaboration with members of the Portland counterculture community planned the state-sponsored festival. Vortex I officially ran from August 28 to September 3, 1970 to coincide with the American Legion annual convention held in Portland the same week.

This oral history interview with Adam C. Heim and Clara C. Heim was conducted by Jim Strassmaier at the Heims' home in Portland, Oregon, from July 26 to September 13, 1989, as part of the Oregon Historical Society Research Library's oral history program. The interview was conducted in five sessions. Adam C. Heim was interviewed in sessions 1 and 2; Clara C. Heim was interviewed in sessions 3 and 4; and both were interviewed together in session 5.

In the first interview session, conducted on July 26, 1989, Adam C. Heim discusses his family background, including his Russian and German heritage and his father's career with the Union Pacific Railroad Company. He talks about his early life in the Albina neighborhood of Portland, including his education and recreational activities. He speaks about working on a sugar beet farm in Idaho; about the Portland harbor; and about his apprenticeship as a machinist for the Union Pacific Railroad.

In the second interview session, conducted on August 2, 1989, Adam C. Heim talks about his siblings, particularly his older brother, John Adams Heim. He continues to discuss his career with the Union Pacific Railroad. He talks about his marriage to Clara C. Heim and about raising their children. He speaks about his experiences living in Huntington, Oregon, during the Depression, including the death of one of his children from spinal meningitis. He also discusses returning to Portland in the 1940s; talks about his children, their families, and their careers; and describes being injured during a robbery.

In the third interview session, conducted on August 29, 1989, Clara C. Heim discusses her family background and early life in North Portland. She talks about her siblings, their families, and their careers. She discusses her health as a child, her education, and working as a telephone operator.

In the fourth interview session, conducted on September 7, 1989, Clara C. Heim continues to discuss her early life in North Portland. She talks about her marriage to Adam C. Heim, about raising a family, and about her experiences during the Depression. She discusses her children, their families, and their careers. She speaks about life in Huntington, and about her political beliefs.

In the fifth interview session, conducted on September 13, 1989, Clara C. Heim and Adam C. Heim discuss living in and raising a family in Huntington and in North Portland during and after World War II. They also talk about the Black population in North Portland. They speak about their relationship with their children, about the changes in the Catholic Church, and about their political beliefs. They close the interview by talking about their recreational activities.

This oral history interview with Erskine Wood was conducted by William Renwick at Wood's home in Vancouver, Washington, on August 21, 1954. In this interview, Wood discusses his experiences as an adolescent living with Chief Joseph and the Nimiipuu people (Nez Perce) in the Wallowa Valley, Oregon. He briefly talks about Chief Joseph's life story. He speaks about his daily life, including caring for horses, hunting, and taking sweat baths. He closes the interview by describing Nimiipuu recreational activities, including dancing, singing, and games. In the interview, Wood uses terms for Native people that were common in that historical period but that are now considered pejorative.

This oral history interview with Marie A. Gary was conducted by Sue Seyl and George Champlin at Gary's home in Vancouver, Washington, on January 20, 1981, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Gary discusses working at the Cronise Studio in Salem, Oregon. She talks about working with Thomas J. Cronise, and describes his process of portrait photography. She speaks about her work retouching and tinting photographs. She discusses the studio's business operations, clientele, and layout. She speaks about Thomas J. Cronise and his family.

This oral history interview with Nancy E. Stevens was conducted by Dale Archibald, Susan Horton, and Robert Keeler at Blue Lake Regional Park in Fairview, Oregon, on January 29, 1981. Susan Horton was also recording video at the time of the interview.

In this interview, Stevens directs a driving tour of Blue Lake Park. She uses a 1930 U.S. Geographic Survey map to point out the former locations of buildings, piers, and Native sites. She talks about her childhood on the land when it was owned by her family, including fishing in the lake and people who lived in the area. They all also discuss Multnomah County's plans for the park.

Collection consists of 39 black and white photographs mounted on cloth backing, which were originally bound in a booklet. The photographs depict scenes of the Peninsula Industrial District in North Portland, Oregon, and surrounding neighborhoods, between approximately 1915 and 1920. Stamped on the back of one image and the original booklet cover is the text: "Alfred A. Aya, Industrial Agent / Peninsula Industrial District / Corbett Building, Portland, Oregon." Most of the photographs depict mills, factories, and other industrial facilities, and include identifying information in the image. Identified places and businesses include the Coast Culvert & Flume Co.; the Columbia Sub-Station of the Portland Railway, Light, and Power Company; the L. Moore Dry Kiln Co.; the Livestock Exchange; the Millmade Construction Co.; the Monarch Mill; National Tank and Pipe Co.; the Nicolai Door Manufacturing Co.; North Portland Box Company facilities; the North Portland harbor; the Oregon Scouring Mills; the Pacific Cement Pipe Co.; the Porter-Scarpelli Macaroni Co.; Portland Stove Works; the Portland Union Stockyards; the Standifer shipyard; the Swift & Co. packing plant; the West Coast Box & Lumber Co.; and the Western Spar Co. The photographs also include unidentified residential scenes and buildings. The photographer or photographers are unidentified.

This collection consists primarily of pencil and watercolor sketches and drawings made by artist and cartographer Cleveland Rockwell from 1862 to circa 1905. The materials include eight bound sketchbooks, as well as loose sketches, many of which have handwritten page numbers that suggest they were once part of bound volumes. Rockwell's sketches predominantly depict landscapes, particularly coastal and mountain scenes, in Oregon, Washington, California, and Alaska, as well as British Columbia and Alberta, Canada. Of particular note is a panorama of Lassen's Butte from Big Meadows at Prattville (folder 3), and sketches of British Columbia and California in volume 7. In addition to landscape scenes, the collection features a significant number of sketches depicting Pacific Northwest and California wildflowers, some of which were drawn by Cornelia F. Rockwell, Cleveland Rockwell's wife. The sketches also include ships and boats, as well as portraits of unidentified people. Many sketches throughout the collection have handwritten notes about light and color in the scenes depicted.

In addition to artwork, the collection includes a small quantity of family and biographical materials. The family materials are a photograph of Cleveland Rockwell and Cornelia F. Rockwell's two daughters, circa 1898, and an original 1949 letter from their younger daughter, Cornelia Rockwell Kearney, to "Eleanor," probably Eleanor Graves, who donated many of the materials in this collection to the Oregon Historical Society Research Library. The letter discusses Cleveland Rockwell's life and career, his artistic process, and outings that he and Cornelia F. Rockwell took to sketch wildflowers. Other materials include handwritten notes, made circa 1965, with biographical information about Cleveland Rockwell and his family, including information from 1863 and 1864 U.S. Coast Survey reports, and from obituaries for Rockwell in the Oregonian newspaper on March 22 and March 23, 1907.

Collection consists of 18 photographs of Portland, Oregon, taken circa 1890. The photographs are primarily scenes of flooded streets in downtown and inner East Portland during the 1890 flood. Other subjects depicted in the photographs include cable cars, the bark Coloma, Grace Methodist Episcopal Church, the Riverside Hotel, the Morrison Bridge, and other unflooded street scenes from Portland. The photographs are mounted on 9 loose album pages and include handwritten image captions. The photographer or photographers for these items is unknown.

The Legacy of Hope: Catholics and Social Justice Project collected interviews with Catholic clergy members in Oregon about their work on social action in the Roman Catholic tradition.

This collection, assembled by the Oregon Historical Society Research Library, primarily consists of printed material that was either produced in or closely relates to the Oregon Territory and to Oregon's early statehood. Almost all of these items were listed in George Belknap's 1968 bibliography, "Oregon Imprints, 1845-1870."

The materials in this collection include legal and judicial documents such as legislative bills, reports, and proceedings; records of associations, including masonic organizations, temperance organizations, the Independent Order of Odd Fellows, and religious organizations; announcements and proclamations; event invitations, announcements, and programs, including for Fourth of July celebrations and the Oregon State Fair; advertisements; newspaper pages; and almanacs. The collection also includes some materials relating to conflicts between Euro-Americans and Native peoples, such as the Rogue River War of 1855-1856.

With some exceptions, materials are listed in this collection guide in numerical order based on numbers Belknap assigned to each item in his bibliography. Not all items that appear in Belknap's bibliography are included in this collection, and so some item numbers are skipped. Item numbers are typically handwritten on the documents themselves or on enclosing envelopes; sometimes these also show an earlier number that Douglas C. McMurtrie had assigned. The collection also includes a handful of items that were not cataloged by Belknap, but which also date from the mid-19th century.

Other materials in the collection include copies of Belknap's "Oregon Imprints, 1845-1870," supplements to "Oregon Imprints, 1847-1870" and to "Oregon Imprints, 1845-1870," and Belknap's correspondence and writings relating to early Oregon imprints.

Collection consists of typescript and manuscript correspondence and reminiscences recorded by T. A. Wood from approximately 1890-1902. The reminiscences include typescript copies of accounts by Wood regarding his work as a Methodist minister between 1858 and 1876 and his time serving as a chaplain for the Union Army in Illinois during the Civil War between 1861 and 1862. also included are typescript and manuscript copies of his account of involvement in advocacy to admit the first Black children into Portland public schools which resulted in the establishment of a segregated school for Black students. Also included is a letter written by Wood in 1902 containing reminiscences about his involvement in conflicts with Native peoples, which contains a list of engagement details for Indian War Veterans. The collection also contains a 1902 manuscript copy of an undated letter from E. H. Lenox to Wood requesting the names of members of an 1843 wagon train and relating a story concerning rescuing a man from drowning.

This collection consists of five photographs that were originally owned and may have been taken by William Russell Parnell during his service in the United States Army, with materials ranging between 1864-1871. Photographs depict Camp Harney, Camp Warner and Fort Boise, bases where Parnell was stationed, and also Camp Barry near Washington D.C. Parnell's relationship to Camp Barry is unknown, but he was stationed in various locations in that area during the Civil War. Of the five photographs included in the collection, four have Parnell’s signature.

This collection consists of one photograph of Fort Walla Walla, taken May 1, 1859. The photograph was originally owned and may have been taken by Frederick Tracy Dent. This photograph depicts the fort's fourth location, which was constructed between 1857 to 1858, and shows several of the fort's buildings.

Collection includes: Index cards listing schools and churches, houses and flats, and buildings that the Jacobbergers worked on; Specifications, 8 pp, of a Catholic church on the SW corner of Grand Ave. and 15th St. in Astoria, Oregon; Sketch of St. Monica's Church in Coos Bay, Oregon by Francis B. Jacobberger, 25 June 1930; Watercolor sketches, 1895-1896; Receipts, 36 vols, 1911-1964; Ledgers of contracting bids, 5 vol, 1922-1950; Account book, 1 vol, 1930-1936; Architectural plans, ca. 1895-1964, primarily for residences in Portland, Oregon. Joseph (Josef) Jacobberger was born in Lautenbach, France on 1869 March 19 and moved to the United States with his family in 1872.

Plans and specifications for residences and buildings primarily for Reed College and Meier & Frank in Portland, Oregon, 1908-1915. Doyle and Patterson was a Portland, Oregon architectural firm.