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Correspondence Collection

  • Mss 1500
  • Collection
  • 1800 - ?

Collection of materials assembled by the Oregon Historical Society comprised of various letters written from or to individuals in Oregon, ca. 1820-1973.

Coronation of Womanhood posters

  • Coll 839
  • Collection
  • 1884-1885

The collection consists of two copies of a poster entitled “Coronation of Womanhood” and a single copy of an identification key to the people depicted in the poster. The posters are printed from a photo crayon lithograph engraving. At the front center of the image, the goddess of Liberty is crowning a kneeling female figure representing womanhood. Below them is a banner reading, “Coronation of Womanhood.” Arranged in a half-circle above Liberty and Womanhood at the top of the poster are the portraits of Edward Dickinson Baker, George Washington, Abraham Lincoln, and James A. Garfield. Flanking either side of the image is a dais draped in bunting featuring the state crests of New York, California, Oregon, Nebraska, Wyoming, and the District of Columbia. Seated at the dais are 17 women of the suffrage movement: Martha C. Wright, Elizabeth Cady Stanton, Lucy Stone, Frances Wright, Lucretia Coffin Mott, Elizabeth Boynton Harbert, Susan B. Anthony, Abigail Scott Duniway, Dr. Clemence S. Lozier, Helen M. Gouger, Sarah L. Knox Goodrich, Mary Ashton Rice Livermore, Mary J. Collins, Julia Ward Howe, Lillie Devereux Black, Matilda Jocelyn Gage, and Ernestine L. Rose. Below the dais, there is an audience of 275 additional men recognized as supporters of women’s enfranchisement. The men depicted in the scene include Matthew Deady, Stephen F. Chadwick, Rockey Preston Earhart, Joseph N. Dolph, Melvin Clark George, Samuel Royal Thurston, and William S. Ladd. A full listing of the depicted individuals is accessible via the identification key. The inscription at the bottom of the poster reads, “Respectfully dedicated to the loyal subjects of liberty who paved the way to woman’s enfranchisement in the Pacific Northwest, United States of America, anno domini one thousand eight hundred eighty three.”

Source: The Idaho Semi-Weekly World. February 20, 1885.

Duniway, Abigail Scott, 1834-1915

Columbia River Gorge Lecture Series

  • SR Columbia River Gorge Lecture Series
  • Collection
  • 1981?

A series of lectures given by Gertrude Glutsch Jensen on the importance of preserving the Columbia River Gorge.

Jensen, Gertrude Glutsch, 1903-

Columbia Rediviva collection

  • Mss 957
  • Collection
  • 1785-1852

The collection consists of correspondence, journals, ship logs, administrative records, and ink sketches relating to the ship Columbia Rediviva. A mix of original materials and reproductions are present. Among the originals are: the journal of John Hoskins, written during the Columbia's journey around the world in 1791-1792; the journal of George Barrell, 1806, written on board the brig Venus from Boston to Malaga, and on the schooner Louisiana from Malaga to New York; Barrell's account of stores on board the Columbia, 1792-1793; letters of Joseph Barrell to Samuel Webb, 1785-1801, and to John Hoskins, 1790; letters from Colburn Barrell and Robert Haswell, 1801; owner's accounts, 1787-1793; accounts of the Columbia and Lady Washington, 1787-1790; receipts; and four ink sketches by George Davidson depicting incidents in the voyages of the Columbia.

The reproductions held in this collection include the journals of Robert Haswell and Owen Smith, 1787-1789; and a file of receipts and other papers concerning outfitting of the Columbia, 1790 (on microfilm). Also included are publications of Robert Gray's wife Martha's petition to congress for a pension and memorial, 1848-1852.

Cartes-de-Visite photographs

  • Org. Lot 500
  • Collection
  • 1855 - 1905

Cartes- de- visite are a form of card photograph popular from around 1860 to the early 1900s, typically used for portraiture. The common construction of these cards consists of a thin albumen print mounted on a thicker card backing measuring 2.5 x 4 inches. André Adolphe-Eugène Disdéri patented the process of creating these photo cards in Paris in 1854, streamlining the process of commercial portraiture. Cartes- de- visite were traded among friends and visitors and they were popularly displayed in albums. In the United States, cartes- de- visite were a staple of commercial photographers during the Civil War as a means of selling inexpensive portraits of soldiers and their loved ones. Photographs of celebrities, military, and political figures were also popular for collecting and trading. Cartes- de- visite were superseded by Cabinet cards, a similar, larger format of roughly 4.5 x 6.5 inches, in the 1870s, but they remained popular into the 20th century.

This artificial collection was accumulated from accessions containing cartes- de- visite photographs acquired prior to 2010 by the Oregon Historical Society Research Library. The cartes- de- visite were originally part of a topical photograph collection and were separated into their own collection to address preservation concerns. The numbering scheme for the collection reflects their original placement within the topical photograph collection. As a result, numbering in this collection is not sequential. The collection includes portraits taken from about 1855 through the early 1900s. Many of the portraits have attached biographical information. Portraits by many well-known Oregon photography studios are represented in this collection, including Joseph Buchtel, Andrew B. Paxton, Isaac G. Davidson, Peter Britt, and F. A. Smith. The collection also contains images of locomotives, ships, buildings, and landscapes in the Pacific Northwest.

Also included is the Photographer Study Collection, which contains sample work from several studios in Oregon, California, and Washington. The portraits in this series are unidentified with the exception of a small selection of portraits that were identified after the collection was assembled.

In addition to Oregon-related materials, the collection includes cartes- de- visite of notable military, political, and celebrity figures from the late 19th century. The most common subjects are American Civil War portraits, a series of illustrations of George and Martha Washington, European notables cards, and advertisements.

Carleton E. Watkins photographs, 1861-1885

  • Org. Lot 93
  • Collection
  • 1861 - 1885

This collection contains stereographs, cartes de visite, cabinet and boudoir cards, photograph albums, mammoth plates, and other loose prints taken by landscape photographer Carleton E. Watkins, 1861-1885. Watkins photographs that were taken before he lost his Yosemite Art Gallery studio in 1876 to Isaiah W. Taber are known as his "Old Series." Watkins photographs taken after 1876 are referred to as his "New Series." The collection contains both Old Series and New Series images and includes some of Watkins' photographs printed under Taber's imprint..

The bulk of the stereographs and mammoth plate photographs in this collection were taken during Watkins' trips to Oregon to photograph Portland, the Willamette River, and the Columbia River in 1867 (Old Series), as well as in 1882, 1883, and the winter of 1884-1885 (New Series). There are also some stereographs that were taken by Watkins on his 1882 voyage to photograph Puget Sound in the Washington Territory and Victoria in British Columbia. Other mammoth plates, cartes de visite, and stereographs depict views of places in California, including Yosemite and Mariposa County, the Farallon Islands and other scenes of the California coast, San Francisco, Round Top, Mount Lola, and Mount Shasta, as well as views of Utah taken for the Union Pacific Railroad. There are also cabinet card portraits taken by Watkins of various people, including Oregon railroad financier Simeon Gannett Reed and members of the family of Cornelius C. Beekman (1828-1915), banker from Jacksonville, Or.

The collection also contains two photograph albums assembled by Watkins and originally owned by Charles H. Prescott (b. 1839), manager of the Oregon Railroad and Navigation Co. from 1881-1887. One album, "Sun Sketches of Columbia River Scenery," contains images taken by Watkins during his trips to the Columbia River Gorge circa 1882-1883, and the second album, ""Great Storm of the Winter of 1884-5. Columbia River, Or.," contains images that he took during a winter blizzard in December and January of 1884-1885 that snowed in an Oregon Railway and Navigation Co. train on its tracks along the Columbia River. The collection also contains one group of stereographs entitled "Watkins' Pacific Railroad" that were originally taken by Alfred A. Hart, official photographer for the Central Pacific Railroad, between 1862-1869 and reprinted by Watkins under his own imprint after 1870.

Watkins, Carleton E., 1829-1916

Brown, Clawson, and Parvin Family Papers

  • Mss 2506
  • Collection
  • 1739-1978

The collection includes correspondence, clippings, documents, and ephemera, most of which relate to Zimiri Parvin, James Nassau Brown, Mamie Parvin Brown, Vivian Z. Brown, and Verne Clawson Brown. There are also some materials on the Sutton, Taylor, and Price families, all related by marriage to the Parvins and Browns. Included are: musical compositions by Zimiri Parvin, letters from James Nassau Brown to his wife Mamie, a biographical article by Doris Huffman (1976), diplomas and certificates, high school yearbooks, a pocket diary of Josephine Taylor Sutton containing recipes, a program for a banquet honoring Susan B. Anthony in Salem in 1900, a Taylor family history document from the late 18th century, a group of baggage tags from hotels, and a collection of bank notes from the early 19th century. Among James Nassau Brown's letters is one of 1903 from Salem describing a typhoid epidemic.

Address to Meier and Frank employees

  • SR 294
  • Collection
  • 1949-03-24

Aaron Frank urges assembled employees to resist union organizing effort. He enumerates the benefits provided to employees by Meier & Frank, gives examples of management/employee loyalty, lists responsibilities as director, and makes a plea for an employee vote of confidence.The employees utlimately voted against unionization.

Frank, Aaron

Abraham Lincoln letters

  • Mss 324
  • Collection
  • 1858-1861

One autograph letter, A.L.S., from Abraham Lincoln in Springfield, Ill. to Simeon Francis in Oregon, 1860 Aug. 4, discussing the upcoming presidential election and prospects for the winning of various states. Collection also includes photostatic copies of three additional letters: Lincoln to James Thornton, 1858 Dec. 2; Simeon Francis to Lincoln, 1859 Dec. 26; and David Logan to Lincoln, 1861 Sept. 5.

Lincoln, Abraham, 1809-1865

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