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Homeless Camp Under the Interstate Bridge

This photograph depicts a group of people at a homeless camp under the Interstate Bridge. It was featured in an article Olsen wrote about homelessness in the September 27th, 1931, publication of The Sunday Oregonian. Transcribed from handwritten note on back of the photograph, "Hobo camp under Vancouver end of Interstate Bridge in 1930."

Olsen, Charles Oluf, 1872-1959

Men at a homeless camp under the Interstate Bridge

This photograph depicts two men sitting outside a scrap metal structure intended for shelter. It was featured in an article Olsen wrote about homelessness in the September 27th, 1931, publication of The Sunday Oregonian. Transcribed from handwritten note on back of the photograph, "Dwelling at hobo camp under Vancouver end of Interstate Bridge about 1930."

Olsen, Charles Oluf, 1872-1959

Man at a homeless camp under the Interstate Bridge

This photograph depicts a man posing with his pockets turned inside-out. It was featured in an article Olsen wrote about homelessness in the September 27th, 1931, publication of The Sunday Oregonian. Transcribed from handwritten note on back of the photograph, "Transient at hobo camp. Vancouver end of Interstate Bridge about 1930."

Olsen, Charles Oluf, 1872-1959

Man cooking at a homeless camp under the Interstate Bridge

This photograph depicts a man cooking food over a campfire in a homeless camp under the Interstate Bridge. Several people stand in the background of the photograph. It was featured in an article Olsen wrote about homelessness in the September 27th, 1931, publication of The Sunday Oregonian. Transcribed from handwritten note on back of the photograph, "Hobo camp under Vancouver end of Interstate Bridge about 1930."

Olsen, Charles Oluf, 1872-1959

Clipping: Business slogans under foot

Clipping from The Oregonian published January 10, 1979, about Indoor Billboard of Oregon, a company that sold door mats with custom branding to businesses in the Portland, Oregon, metro area. A photograph at the top of the article features Kass Cochran, the company's general manager, standing inside the front door of the Milwaukie Pastry Kitchen in Milwaukie, Oregon. A custom door mat on the floor shows a logo of a Black man dressed in chef whites holding a steaming loaf of bread. The logo on the mat reads, "Put a little soul in your roll." Hurtis Hadley and Dorothy Hadley are standing behind a glass pastry counter full of baked goods in the background of the photograph.

Guernsey, John

Abigail Scott Duniway receiving prize cup from Rose Festival Committee

Abigail Scott Duniway, seated at the center of the group, is being presented a silver loving- cup by the Rose Festival Committee for the Oregon Suffrage Association’s parade float. Also included in the photograph from left to right: Rev. Albert Ehrgott, Chairman of the State Central Campaign Committee; Dr. Eugenia G. Little, Chairman of the Float Committee; Mrs. L. W. Therkelsen of the State League; Mrs. A. King Wilson, of the Women’s Club; Dr. Viola M. Coe, of the State League; Miss Emma Wold of the College League; Dr. Emmet Drake, of the Rose Festival Association; and W. C. Duniway. The photograph ran in the Morning Oregonian for June 18, 1912 with the headline, “Prize Cup for Suffrage Float Given to Mrs. Abigail Scott Duniway.”

Oral history interview with Art Bimrose

  • SR 9320
  • Collection
  • 1977-11-29

This oral history interview with Art Bimrose was conducted by Roberta Watts at the Oregonian Building in Portland, Oregon, on November 29, 1977, as part of the Oregon Historical Society Research Library's oral history program. In this interview, Bimrose discusses his early life, education, and early jobs. He speaks about his career as an editorial cartoonist for the Oregonian newspaper; describes his artistic process; and reflects on some of the cartoons he drew. He closes the interview by talking about the training an editorial cartoonist should have.

Bimrose, Art, 1912-

Rescuing residents trapped in the Vanport flood

A group of men holding hands and a rope to form a human chain in waist-high flood water during the Vanport flood. They are attempting to rescue people trapped by rising flood water. Flooded cars and debris are visible in the water around them. Dale Skovgaard is identified as the man in the white cowboy hat. This photograph was originally taken by an Oregonian photographer (OrHi 25428).

Oregonian (Firm)

James J. Hill, Empire Builder

Photograph of James J. Hill, also known as Jim Hill, President of Great Northern Railroad from 1893 - 1907 and Chairman of the Board of Directors from 1907 - 1912. Writing on the bottom of the photograph reads, "James J. Hill - Empire Builder." This photograph was published in the Oregonian on April 6, 1958 under the headline, "Jim Hill's Workhorse Line Celebrates 50th Anniversary." The Oregonian's caption is attached to the back of the print. It reads, "Builder: Man responsible for the SP&S railway was Jim Hill (above), who by constructing a line to Portland from Spokane, penetrated what had previously been the railway province of Edward Harriman. They fought 'railway war.'" Stamp on the back for Passenger Traffic Dept. of SP&S, and handwritten note asking that the photograph be returned to SP&S.

Railroad Conductor D.R. McDougall Registers an SP&S Train

Photograph of Railroad Conductor D.R. McDougall holding a watch in his left hand and taking notes in a notebook with his right hand. Handwritten note on the back of the print reads, "Conductor D.R. McDougall registering SP&S train No. 21 in at Warrenton, Ore. passenger station, Sept. 18, 1951." Stamp on the back for Carl E. Vermilya, Staff Photographer for the Oregonian.

Vermilya, Carl E., 1923-1977

Railroad Conductor, Engineer and Fireman Compare Watches

Photograph of a railroad conductor, engineer, and fireman standing beside a train and looking at their watches. The fireman stands behind the 2 other men, hanging on the side of the train. A sign for Warrenton is visible in the left background. Handwritten note on the back of the print reads, "Condr. Dan McDougall, Engineer Ben Anderson and Fireman John Carroll compare watches at Warrenton, Ore. beside train No. 21, Sept. 18, 1951." Stamp on the back for Carl E. Vermilya, Staff Photographer for the Oregonian.

Vermilya, Carl E., 1923-1977

Engineer Ben Anderson in Cab of Diesel Locomotive, SP&S

Photograph of Train Engineer Ben Anderson sitting in the cab of an SP&S diesel locomotive. He holds his hands on the controls and looks to the left of the camera as he smiles. Handwritten note on the back of the print reads, "Engineer Ben Anderson in cab of diesel-electric locomotive No. 800 on SP&S passenger train No. 21 enroute Portland, Ore. to Astoria and Seaside, Sept. 18, 1951." Stamp on the back for Carl E. Vermilya, Staff Photographer for the Oregonian.

Vermilya, Carl E., 1923-1977

Engineer Ben Anderson in front of Diesel Locomotive, SP&S

Photograph of Train Engineer Ben Anderson standing in front of an SP&S diesel locomotive. His left hand rests on the locomotive. Handwritten note on the back of the print reads, "Engineer Ben Anderson in front of Diesel - Locomotive No. 800, Train 22 at Astoria, Ore. Sept. 18, 1951." Stamp on the back for Carl E. Vermilya, Staff Photographer for the Oregonian.

Vermilya, Carl E., 1923-1977

First Train on New SP&S Welded Rails

Photograph showing 2 men standing next to a locomotive. The locomotive has a sign taped to it that reads, "First train on new SP&S welded rails, 77 miles John Day Dam relocation, Corps of Engineers." The man on the left wears a military uniform and a name tag that reads, "Yates." The man on the right wears a hard hat and points toward the locomotive. Stamp on the back of the print for Jim Vincent, Staff Photographer, The Oregonian.

Vincent, James Colin, 1931-2018

SP&S Train No. 21 at Astoria, Oregon

Photograph of people walking away from a train at a train station in Astoria, Oregon. The group includes 2 nuns. Handwriting on the back of the print reads, "SP&S train no. 21 at Astoria, Ore. Passenger station, Sept. 18, 1951." Stamp on the back for Carl E. Vermilya, Staff Photographer, The Oregonian.

Vermilya, Carl E., 1923-1977

Oral history interview with Art Bimrose

  • SR 1752
  • Collection
  • 1989-04-26 - 1989-04-26

This oral history interview with Art Bimrose was conducted by Jim Strassmaier on April 26, 1989. The interview was conducted in conjunction with a 1989 exhibition of Bimrose's work at the Oregon Historical Society. The interview was conducted in one session.

In this interview, Bimrose discusses his family background and early life in Spokane, Washington, and in Portland, Oregon, including his early interest in art. He discusses his early career in art, particularly commercial art, during the Depression. He also talks about his summer jobs with the Southern Pacific Railroad during his high school years, the effect the Depression had on his family, and his early political beliefs. He discusses working for the Oregonian newspaper, first as a photo re-toucher and later as a cartoonist. He talks about developing his art style, his process in creating political cartoons, and the editorial policies of the Oregonian. He also briefly talks about his experience in the U.S. Army during World War II, particularly the effect it had on his personality and home life. He also talks about the difficulty in drawing cartoons for the Oregonian that were supportive of the Vietnam War, despite his personal opposition to it. He describes his use of symbolism in his cartoons; talks about politicians he admired; and discusses the Oregonian editorial conferences that he attended. He also talks about some of the controversial topics on which he drew cartoons and working with the Oregonian editorial page editors. He closes the interview by discussing his retirement activities.

Bimrose, Art, 1912-

Oral history interview with Al Monner

  • SR 1068
  • Collection
  • 1993-02-25 - 1993-03-04

This oral history interview with Al Monner was conducted by Donald J. Sterling at Monner's home in Portland, Oregon, from February 25 to March 4, 1993. The interview was conducted in two sessions.

In the first interview session, conducted on February 25, 1993, Monner discusses his family background and early life on a farm in Kaskela, Oregon, including his education, his sister, and his recreational activities. He then talks about moving to Portland in 1923, his high school education, and his early interest in photography. He speaks about working for a public library, attending Linfield College, and working as a developer and photographer for Brubaker Aerial Surveys. He discusses working for Photo Art Studio, his friendship with Ray Atkeson, and his involvement with the Wy'east Climbers.

In the second interview session, conducted on March 4, 1993, Monner revisits the topics of his family background, and working as a developer and photographer for Brubaker Aerial Surveys. He speaks about his early career as a photographer for the Oregonian newspaper and describes his photography equipment. He then discusses his career as a photographer for the Oregon Journal newspaper, his photography equipment, and some of his assignments. He also talks about his freelance work, as well as photography he did for himself; photographers he worked with, including Minor White; and his involvement with the Mazamas and mountain climbing. He speaks about his marriage to Catherine Elizabeth Gnadinger, and about his children, their careers, and their families. He speaks at length about photographing Portland's Romani community and Native Americans. He then talks about Catherine Elizabeth Monner's death in 1961 and his retirement activities. He closes the interview by discussing famous people and events that he photographed.

Monner, Al (Alfred Anthony), 1909-1998

Abigail Scott Duniway voting

Abigail Scott Duniway voting for the first time in the May 3, 1913 Oregon election. This photograph ran in the Sunday Oregonian on May 4, 1913 with the caption, “Mrs. Abigail Scott Duniway, the “Mother of Suffrage,” achieves her life’s desire.”

Cornerstone setting ceremony, East side post office - with James Farley, Leslie Scott, Governor Martin, Nan Wood Honeyman

Two men wearing hats and long coats look downward at an engraved decorative stone, which is leaning against a stone wall. Three decorative metal cups and a trowel sit in front of the engraved stone. The names “Henry Morgenthau Jr.,” James Farley,” “Louis A. Simon,” “Neal A. Melisk,” and “[Gil]bert Stanley Underwood” are written on the stone, with the year 1936 (negative 1 of 11).

Monner, Al (Alfred Anthony), 1909-1998

Animal cemetery - Oregon Humane Society

Wooden and stone markers at an animal cemetery for the Oregon Humane Society. Written on the markers are “In Loving Memory of Skeeter, 1926-1932, “Lassie Lu,” and “Muggy” (negative 3 of 3).

Monner, Al (Alfred Anthony), 1909-1998

Animal cemetery - Oregon Humane Society

A pet cemetery with small wooden markers with various pet names, including “Saxy,” Bear,” and “Nippy.” A small building with a porch and curtain can be seen in the background (negative 1 of 3).

Monner, Al (Alfred Anthony), 1909-1998

Oral history interview with Connie McCready

  • SR 9046
  • Collection
  • 1981-04-01 - 1984-06-17

This oral history interview with Connie McCready was conducted by Linda S. Dodds in Portland, Oregon, from April 1 to June 17, 1981. At the time of the interview, Dodds' name was Linda S. Brody.

In this interview, McCready discusses her family background and early life in Pendleton and Portland, Oregon. She focuses particularly on her father, Edgar Averill, and his career as a reporter for the East Oregonian and later as state game warden. She talks about studying journalism at the University of Oregon, including working on the student newspaper, the Daily Emerald. She also discusses other newspapers she worked for after college, including the Coos Bay Times, now The World, and the Oregonian. She talks about meeting Albert McCready, a reporter for the Oregonian, and their subsequent marriage. She also describes some of her other colleagues at the Oregonian; the Oregonian strike of 1959 to 1965; and the merger of the Oregonian and Oregon Journal.

McCready discusses her entry into Portland politics as a result of her father's failing health. She talks about serving on the Citizens School Committee for Portland Public Schools, which was a body that sought to recruit candidates for the school board; serving as precinct committeewoman for the Oregon Republican Party; and her involvement with the League of Women Voters. She describes her successful 1966 campaign for the Oregon House of Representatives and some of the legislation she worked on during her single term in the Legislature, including on fish conservation, littering, and the creation of Tri-Met. She also talks about working with Representative Betty Roberts on legislation concerning fair employment practices and abortion. She discusses her experiences as one of only four women in the Legislature. She then discusses her appointment to the Portland City Council, and subsequent resignation from the Legislature, in 1970, as well as her re-election campaign later that year. She discusses working with Portland mayors Terry Schrunk and Neil Goldschmidt; her committee assignments; and her fellow city commissioners. McCready talks about serving as Portland mayor from 1979 to 1980, including her accomplishments, as well as her support for controversial issues such as fluoridation, women's rights and gay rights. She speaks at length about her unsuccessful re-election campaign in 1980. She closes the interview by discussing the difficulty of balancing political and personal life.

McCready, Connie (Constance), 1921-2000

Abigail Scott Duniway registering to vote

Abigail Scott Duniway seated at a table signing the precinct voter registration book. County Clerk John B. Coffey stands beside her. Duniway was the first female voter to register in Multnomah County, Oregon. This photograph ran in the Oregonian on February 15, 1913 with the caption, “Pioneer Suffragist who is first woman to register as voter in Multnomah County.”

Slum kitchen interior

A shabby kitchen interior, with cabinets, sink, and stove. A large window can be seen in the far wall, and a chair rests along another wall. Various pots can be seen throughout the frame (negative 7 of 14).

Monner, Al (Alfred Anthony), 1909-1998

Slum kitchen interior

A shabby kitchen interior, with cabinets and a sink. Above the sink are two windows, with flowers on the windowsill (negative 3 of 14).

Monner, Al (Alfred Anthony), 1909-1998

People in slum kitchen

A group of adults and children stand in a shabby kitchen. One woman is holding a small child. A sink and cabinets can be seen in the background (negative 5 of 14).

Monner, Al (Alfred Anthony), 1909-1998

Slum bedroom interior

A bed and crib inside a shabby room. Above the bed are shelves stacked with objects and paper (negative 4 of 14).

Monner, Al (Alfred Anthony), 1909-1998

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