- SR 1096
Erskine Wood discusses summer vacations spent in household of Chief Joseph.
Erskine Wood discusses summer vacations spent in household of Chief Joseph.
Flora Cushinway Thompson discusses her marriage to Chief Tommy Thompson of the Wyams, fishing, religion, and the fight against the building of the Dalles Dam.
Thompson, Flora Cushinway, 1893-1978
Charles Lewis Hayward discusses his experiences in World War I, including military balloon reconnaissance.
Hayward, Charles Lewis
This is an interview done in conjunction with a 1989 OHS exhibit of Bimrose's work. In the interview, he discusses his childhood and education, his early art career during the Depression, the process of creating cartoons, the cartoonist's intellectual autonomy, politics and his feelings on war.
Bimrose, Art, 1912-
The OHS Maps Collection contains over 25,000 maps that focus on Western exploration and the Oregon Territory. Available types of maps include those of the Oregon Territory, the state, cities and counties, and special subjects such as mining, forestry, railroads, coasts and rivers, soils, farmlands, land claims, Native Americans and explorations.
Pubols discusses his family background, parents, siblings, Russian heritage, immigration to United States, early life working on a farm in Eastern Oregon, educational history etc.
Luscher discusses his family background and dairy farming in Clackamas County, Oregon, and the changes in milking technology and the dairy business over the 20th century. Bill Tegart was also present.
Barbara Mackenzie discusses her family history; childhood in eastern Oregon; growing up with brother, Ralph Tudor (later Secretary of the Interior); work at Celilo Falls during the 1950s relocation of Celilo Indians; work with the Red Cross; The Dalles Dam.
Oral history interviews produced by students at Franklin High School.
Franklin High School (Portland, Or.)
De Bernardis discusses his family background and early life as the son of Italian immigrants in Northeast Portland, his education and teachers that influenced him, changes in higher education after World War II, the creation of Portland Community College and his time as president.
De Bernardis, Amo
McInnis discusses growing up in the Portland Metropolitan Area in the early part of the 20th century, his parents life moving around the Washington and Oregon States, and homesteading near Reedville, Oregon.
A series of interviews conducted by Judy Hartman and Craig Wollner with employees of Portland General Electric for use in creating a history of the company for its centennial in 1988.
Black discusses his early life and education, studying in Rome, working in various research and academic libraries across the country, teaching library science, coming to Vanport, Oregon in 1946 to be a librarian at Vanport College, dealing with the aftermath of the 1948 flood, and the early history of the Portland State University library.
Black, Jean P.
Sister John Mary Lane discusses her family background and early life, getting involved with the Sisters of the Holy Names, women in the Catholic church and feminism, teaching, life in a convent, and teaching at Marylhurst College.
Lane, John Mary, Sister
The Raneys discuss working at The Beaver State Motor Company in Gresham, Oregon and the car they manufactured.
Raney, Charles H., 1885-1972
Long discusses range and wildlife management issues in the Oregon High Desert. He describes his personal observations of the natural environment of the Oregon High Desert and how it has changed through time.
Long, R. A. (Reub A.)
A series of interviews conducted by Linda Brody regarding Pittock Mansions.
Tape 1: Marjorie Wright discusses her time living in the gatehouse of Pittock Mansion with her parents from 1920 to 1945, including the work her father did as head gardener.
Tape 2: Betty L. Meier discusses her childhood as a granddaughter of Henry L. Pittock and her memories of visiting Pittock Mansion.
Tape 3 and 4: Louise Barry discusses her relationship to the Pittock family and her memories of Pittock Mansion.
Tape 5: Robert "Peter" Gantenbein discusses the Pittock family and living in the Pittock Mansion. Eric Ladd is also present.
Tape 6: Allyn Staley discusses the restoration of the Pittock Mansion in the 1960s.
Tape 7: Alexander Bolton Pierce discusses the political process involved in the purchase of the Pittock Mansion by the City of Portland and its restoration in the 1960s.
Wright, Marjorie, 1920-2012
Bunce discusses education in art at the Museum Art School in Portland, Oregon , his influences, including Cezanne and Picasso, his involvement with the WPA during the Depression, working in the shipyards during World War II, his artistic style, and his career as an artist. He also discusses some of his exhibitions and a commission he was currently working on for the Claremont Hotel in Berkeley, California.
Bunce, Louis, 1907-1983
Givler discusses his art education and his career as a teacher at the Museum Art School in Portland, Oregon. He also discusses his work in painting and printmaking.
Givler, William H., 1908-2000
Gary discusses working at Cronise Studios in Salem, Oregon under Thomas J. Cronise, retouching and tinting photographs.
Gary, Marie Thomason, 1896-1988
James Frederick Failing was born in New York on March 24, 1842 to Josiah Failing and Henrietta Legge Ellison. His father and older brothers, Henry and John William, arrived in Portland in 1851, followed two years later in 1853 by James, their mother, and sister, Elizabeth. James completed his education at Portland Academy, then joined J. Failing and Co. as a clerk. The company was a wholesale hardware business started by Josiah and Henry Failing at the corner of first and Oak Streets. James later became a partner at Corbett, Failing and Company. The company operated under this name for 22 years, before later becoming Failing-McCalman Company, operated in part by James's three sons.
In 1877, James Failing became a director of the First National Bank in Portland, remaining a senior director until his death in 1920. He married Jane Johnson Conner in 1880. She was born in Albany, Oregon on February 14, 1855 to merchant John Conner (1820-1902) and his first wife, Martha Mariea Bancroft Whittlesey (1827-1861). Later, John Conner married James's sister, Elizabeth Ann Failing in 1863. Jane Conner and James F. Failing had five children: Edward Josiah (1881-1936), Kate Whittlesey (1883-1971), John Conner (1886-1951), Frederick Ellison (1892-1929), and Henrietta Chase, 1895-1989). Kate and Henrietta participated regularly in Portland civic life, volunteering with numerous organizations.
James Failing and his family were members of the First Baptist Church of Portland. He was involved in the development and construction of the church's Taylor Street building between 1892 and 1893, and was both a trustee and a deacon. His daughter Kate created scrapbooks documenting the history of the church. He was also a director of the Young Men's Christian Association and a trustee for McMinnville College (later known as Linfield College), and an active member of the Oregon Pioneer Society and the Auld Lang Syne Society. Both his father, Josiah, and brother Henry served as mayors of Portland. While James never held public office, he was regarded as a prominent individual in the Portland business and civic communities.
Failing, James F. (James Frederick), 1842-1920
Many of Portland's early settling families created long-lasting ties with one another through marriage and business relationships. Often leaving areas such as New England and San Francisco, the first generation of transplants found Portland to be a small town of new opportunities for trade and business from 1840-1855. Family relationships, such as those seen between the Robertson, Corbett, and Failing families beginning in the 1850s, often lasted for generations. Starting with the joint venture between Henry Winslow Corbett and brother-in-law Thomas Robertson (1817-1900), multiple other partnerships were later formed, including Robertson Heavy Hardware, Corbett, Failing and Company, Foster and Robertson and Corbett, Failing, and Robertson.
The Robertson family represented a crossroads of Portland familial relationships. Beginning with the arrival of Thomas Robertson and his wife Mary Freeland (Corbett) Robertson, from New York, multiple generations of the Robertson family went on to marry into different branches of other old Portland families, such Couch, Lewis, and Reed. Through these relationships, they also gained ties with several family lineages from the East Coast. Individuals in these families later attended elite schools, traveled widely and participated in family businesses to great success. They also contributed to Portland's civic life, becoming city or state officials, and serving as early supporters for institutions such as the Portland Art Museum and Reed College.
The Photo Art Commercial Studio Collection represents the work of one of Portland’s premiere commercial photography firms. The collection consists of hundreds of thousands of negatives, plus prints, slides, and film footage, from 1936 to 1998. This exceptional collection is rich in Northwest scenic views, portraits, photographs of community events and organizations, and business products and operations. Prominent Northwest photographers, such as Ray Atkeson, photographed for the studio.
Photo Art Studios was opened in 1925 by Claude F. Palmer who had operated a small photo studio as a teenager. Photo Art began as a photofinishing operation, expanding in later years to commercial and advertising photography, motion pictures, and photo murals. In 1959, John Patterson, an Oregonian who was studying photography, joined the staff of Photo Art. In 1965, Patterson became a partner in the business with Claude Palmer; Patterson assumed full ownership in 1978 after Palmer’s retirement.
Palmer, Claude F., 1899-1991
A collection of oral history interviews of Portland State University faculty, conducted by other Portland State University faculty.
This collection contains stereographs, cartes de visite, cabinet and boudoir cards, photograph albums, mammoth plates, and other loose prints taken by landscape photographer Carleton E. Watkins, 1861-1885. Watkins photographs that were taken before he lost his Yosemite Art Gallery studio in 1876 to Isaiah W. Taber are known as his "Old Series." Watkins photographs taken after 1876 are referred to as his "New Series." The collection contains both Old Series and New Series images and includes some of Watkins' photographs printed under Taber's imprint..
The bulk of the stereographs and mammoth plate photographs in this collection were taken during Watkins' trips to Oregon to photograph Portland, the Willamette River, and the Columbia River in 1867 (Old Series), as well as in 1882, 1883, and the winter of 1884-1885 (New Series). There are also some stereographs that were taken by Watkins on his 1882 voyage to photograph Puget Sound in the Washington Territory and Victoria in British Columbia. Other mammoth plates, cartes de visite, and stereographs depict views of places in California, including Yosemite and Mariposa County, the Farallon Islands and other scenes of the California coast, San Francisco, Round Top, Mount Lola, and Mount Shasta, as well as views of Utah taken for the Union Pacific Railroad. There are also cabinet card portraits taken by Watkins of various people, including Oregon railroad financier Simeon Gannett Reed and members of the family of Cornelius C. Beekman (1828-1915), banker from Jacksonville, Or.
The collection also contains two photograph albums assembled by Watkins and originally owned by Charles H. Prescott (b. 1839), manager of the Oregon Railroad and Navigation Co. from 1881-1887. One album, "Sun Sketches of Columbia River Scenery," contains images taken by Watkins during his trips to the Columbia River Gorge circa 1882-1883, and the second album, ""Great Storm of the Winter of 1884-5. Columbia River, Or.," contains images that he took during a winter blizzard in December and January of 1884-1885 that snowed in an Oregon Railway and Navigation Co. train on its tracks along the Columbia River. The collection also contains one group of stereographs entitled "Watkins' Pacific Railroad" that were originally taken by Alfred A. Hart, official photographer for the Central Pacific Railroad, between 1862-1869 and reprinted by Watkins under his own imprint after 1870.
Watkins, Carleton E., 1829-1916
Since 1984, the Oregon Historical Society has partnered with the United States District Court of Oregon Historical Society to interview judges, lawyers and other legal professionals affiliated with that Court.
With an appeal rate at around 10%, the decisions made by the District Court of Oregon have been deeply influential on the laws and peoples of the state. It has presided over decisions on public land disputes and fishing rights, as well as civil rights and law enforcement. The stories of the people that make up this judicial body provide a valuable tool for helping the public understand the pivotal role the court has had on Oregon’s history.
Cartes- de- visite are a form of card photograph popular from around 1860 to the early 1900s, typically used for portraiture. The common construction of these cards consists of a thin albumen print mounted on a thicker card backing measuring 2.5 x 4 inches. André Adolphe-Eugène Disdéri patented the process of creating these photo cards in Paris in 1854, streamlining the process of commercial portraiture. Cartes- de- visite were traded among friends and visitors and they were popularly displayed in albums. In the United States, cartes- de- visite were a staple of commercial photographers during the Civil War as a means of selling inexpensive portraits of soldiers and their loved ones. Photographs of celebrities, military, and political figures were also popular for collecting and trading. Cartes- de- visite were superseded by Cabinet cards, a similar, larger format of roughly 4.5 x 6.5 inches, in the 1870s, but they remained popular into the 20th century.
This artificial collection was accumulated from accessions containing cartes- de- visite photographs acquired prior to 2010 by the Oregon Historical Society Research Library. The cartes- de- visite were originally part of a topical photograph collection and were separated into their own collection to address preservation concerns. The numbering scheme for the collection reflects their original placement within the topical photograph collection. As a result, numbering in this collection is not sequential. The collection includes portraits taken from about 1855 through the early 1900s. Many of the portraits have attached biographical information. Portraits by many well-known Oregon photography studios are represented in this collection, including Joseph Buchtel, Andrew B. Paxton, Isaac G. Davidson, Peter Britt, and F. A. Smith. The collection also contains images of locomotives, ships, buildings, and landscapes in the Pacific Northwest.
Also included is the Photographer Study Collection, which contains sample work from several studios in Oregon, California, and Washington. The portraits in this series are unidentified with the exception of a small selection of portraits that were identified after the collection was assembled.
In addition to Oregon-related materials, the collection includes cartes- de- visite of notable military, political, and celebrity figures from the late 19th century. The most common subjects are American Civil War portraits, a series of illustrations of George and Martha Washington, European notables cards, and advertisements.
This collection contains black-and-white photoprints of images taken by Gary Scott on the occasion of Oregon Governor Tom McCall's visit with the students of Parkrose High School and Fremont Jr. High School, in Portland, on April 22, 1970. This marked the first celebration of Earth Day in Oregon. Those in attendance included personnel from both Parkrose High School and Fremont Junior High School.
Digital Collection consists of retouched high resolution scans created by Gary Scott from original prints.